Catching up with Author Natalie Normann

I am very excited to welcome a fellow One More Chapter author to the blog today. She has just celebrated the publication of her new novel, Summer Island. And we have her next novel, Christmas Island, to look forward to in October.

Natalie grew up in a shipping town on the west-coast of Norway and always wanted to be a writer. Actually, she wanted to smoke cigars and drink whiskey like Hemingway but settled for chocolate and the occasional glass of Baileys.

Her writing journey started with short stories in women’s magazines until her first book was published in 1995. Summer Island is her first romance novel in English!

Let’s catch up with Natalie.

  1. Tell us what inspired you to write Summer Island? When I was asked to write at contemporary romance set in Norway, I loved the idea. I had a good think about what I love the most about Norwegian summers. When I grew up, we lived near the coast and I always loved our island trips. Norway is famous for its fjords, but we also have so many islands and I wanted to share that experience.
  2. When did you start writing seriously? I have always written, but it got serious in the mid nineties when I finished the first novel and send it to a competition. It was a collaboration with another writer, and we won a price for “Norway’s best entertainment novel”. After that, we went on to write six more books together. Then it got really serious almost fifteen years ago when I began writing historical romance series, and was able to become a full-time writer.
  3. What do you love most about being an author? Oh, so many things. I love that I can actually do this for a living. Writing stories never gets boring. It’s challenging, frustrating and sometimes so hard, but it’s also fun and rewarding. To create a book is such a demanding process, but at the end of it, there’s a book and there’s readers, who sometimes love what I write – and there’s nothing better than that.
  4. What are you working on now? Right now I’m working on Christmas Island. It’s a sequel to Summer Island and gives me the opportunity to share the madness that is a Norwegian Christmas – it’s something we love and also take so serious. Probably because in mid winter, when it’s dark and cold, we need a long celebration, with lots of lights, to cheer us up. Also, there’s plenty of cake.
  5. What do you hope readers will take away from Summer Island? I hope readers will feel that it gives them a break, especially now with all that’s going on.

About the book

He never meant to stay. He certainly never meant to fall in love…

Summer Island off the coast of Norway was the place London chef Jack Greene should have been from. He’s an outsider in the community that should have been his family, and now he’s setting foot on the strange land he has inherited for the first time.

Ninni Toft, his nearest neighbour, has come to the island to mend her broken heart. With her wild spirit and irrepressible enthusiasm, she shows city-boy Jack the simple pleasures of island life – and what it means to belong. To a place. To a people. To one person in particular…

Home is where the heart is, but is Jack’s heart with the career he left behind in London, or on the wind-swept shores of Summer Island, with Ninni?

Where can you get it?

Follow Natalie!

Twitter | Facebook| Instagram

Catching up (again) with Author Fiona Leitch

I am super excited to welcome back Fiona Leitch, the “mashup maven”. As well as adoring her, I am in awe of her incredible ability to combine my two favourite genres, Crime Fiction and Romance!

She has a new book coming out in a couple of weeks, and this is one not to miss because it’s the sequel to one of my fave books from 2019, Dead in Venice. It’s called Murder Ahoy!

Tell us about Bella Tyson, your heroine in Dead in Venice and Murder Ahoy!

Bella is a famous crime writer in her late 40s from South London. She dropped out of university and went off to have adventures, with a vague idea of writing about them. She loves chocolate, sex and travel, and her language can be pretty fruity. She’s probably my favourite character, as she’s the one most like me!

What do you love most about writing a series?

I love being able to introduce a character or a theme in one book, as maybe a sub plot or secondary character, and then expand on them in the next book. One of the main characters in Murder Ahoy! is talked about in the first novel and has had a profound effect on Bella in her past, but we don’t actually meet him until we’re onboard the cruise ship in book two.

What is the most challenging thing about writing a series?

I think the hardest thing is keeping it fresh. How many dead bodies can one woman come across without it sounding contrived?! I used to love ‘Midsummer Murders’ on the TV, but after a while it started to feel a bit daft – the murder rate in that cluster of small country villages was higher than that of New York!

You have been called the “mashup maven”. Tell us about how you bring genres together.

It all started when I tried to write something serious and it ended up being funny without me trying (if anything I was trying NOT to be funny). I can’t resist making it absurd or giving the characters witty dialogue. I’m also a sucker for romance and a happy ending. But as much as I love reading other people’s romcoms, and I adore the movies, I can’t seem to write a straight romcom. I think the frustrated filmmaker in me wants more action! So I gravitate towards writing mysteries, or romcoms with a darker edge. Readers seem to like a mash up but publishers, not so much sadly.

What are you working on now?

I’m working on a new series, The Nosey Parker Mysteries, set in Cornwall. Jodie ‘Nosey’ Parker is an ex-copper turned caterer who returns to the small Cornish seaside town she grew up in with her teenage daughter. She’s supposed to be retired from the force, but whenever there’s a crime she can’t resist sticking her nose in and helping solve it, along with hunky local CID officer Nathan, her old school friend, Tony, and a whole cast of colourful characters. The first book, Murder On The Menu, will be out in January.

Blurb for Murder Ahoy!

Famous crime writer Bella Tyson is hired to co-host a Murder Mystery cruise, on a luxury liner sailing from Southampton to New York. She’s expecting an easy ride; fun and games, surrounded by amateur sleuths and fans of her books, all the while staying in a deluxe cabin and enjoying the spa and the amazing restaurants on board, culminating in a visit to one of her favourite cities in the world – the Big Apple.

She’s NOT expecting to be stuck on a boat in the middle of the Atlantic with her two least favourite people in the world, her hot but unfaithful bastard ex-husband Joel Quigley and fellow crime writer, bitch goddess and Twitter frenemy, Louise Meyers. And when real live dead bodies start turning up – as well as fake not-really-dead bodies – Bella’s dreams of being pampered on the high seas turn sour.

Accused of a murder she would have liked to commit but didn’t, and helped (or hindered) by a gang of unlikely detectives, can Bella find out who the real murderer is before the ship reaches its destination and New York’s finest drag her off?

Buy links

Amazon AU | Amazon UK | Amazon US |

Follow Fiona

FacebookTwitterInstagram | Pinterest | fionaleitch.com

Writing the “unlikeable” character

Cover of A Sunrise over Bali: darkhaired woman standing on a Balinese beach with palm trees, huts, and a temple looking at a beautiful sunrise. Tagline: the adventure of a lifetime awaits

A Sunrise over Bali, the 4th book in the Holiday Romance series, is out next month. I wrote this book in 2020 and while I was writing it, I blogged about writing the ‘unlikeable’ character.

Written May 2020

In Bali, I am hyper aware that my main character is, based on her role as a supporting character in That Night in Paris, ‘unlikeable’― so much so, that when I mentioned to a friend who I was writing about, she cringed.

So, why write this character? Why give her a whole book?

In short, it’s because I love her.

I love the hard, prickly exterior she uses to mask a lifetime of being terrified of vulnerability. I love that, once she does care about someone, she is fiercely loyal and generous. I love that she is feisty and bold, independent and resourceful.

I love that, just like the rest of us, she is complex and a mass of contradictions, and that there are clear reasons why she is like she is.

I am about 80% into the book, and I’m enjoying watching her grow. There are moments she has, where she realises something about herself, or where her heart fills, and I am proud of her―this imaginary person.

And I’m realising as I write, that the through-line of this book is compassion―for oneself, for others. She may not be likeable to every reader right away, but as the layers strip away, she is/becomes a beautiful human being. How many times have we met someone who irked us, and through compassion, we’ve realised that there is more going on than their exterior, that we could love them or let them into our lives?

I’ve said before that I know my books won’t be for every reader. My first three books are about the Parsons sisters, Sarah and Cat. For some readers, these characters read as ‘immature’ ― ‘how can these women be in their thirties?’ ― and for those readers, Sarah and Cat are unlikeable because of their immaturity. But I stand by them as believable, because in many ways, Sarah is a lot like a thirty-something Sandy ― sometimes whiny, often witty, confused about love, and trying to find her way.

But what’s important to me as a writer, is that these realistic, perhaps unlikeable women, transform. I want my books to be about growing, learning, opening the heart, and transformation.

And in real life, imagine how dull it would be if every person we met was instantly likeable, if no one rubbed us up the wrong way, or disagreed with us, or challenged us to see ourselves in a new light. How would we grow? How would we develop compassion and understanding? I posit that we wouldn’t.

So, even if you initially find a character unlikeable, give them a chance to reveal themselves, to become their true, loveable selves.

Catching up with Author Kiley Dunbar

To, I have the great pleasure of catching up with a fabulous author who I met through UKRomChat. Like me, Kiley writes love stories set in beautiful places, exploring the themes of self discovery and love. And, also like me, she is proudly a MASSIVE Shakespeare geek (dips head to The Bard). Today, we will be chatting about her latest book, Summer at the Highland Coral Beach, the first in a new series.

Tell us what inspired you to write Summer at the Highland Coral Beach?

I spend a beautiful week in Plockton, a seaside village in the Scottish highlands, in August 2018. The whole family was there, including my kids, husband, parents and Amos the dog. We stumbled across a little bay made of white coral pieces and with turquoise blue water to rival any tropical bay. I knew as soon as I set foot on that beach I was somewhere magical and the story ideas started fizzing.

When did you start writing seriously?

Surprisingly recently. I wrote as a child and teenager but when I got to uni I stopped and focused on an academic career. So I published lots of articles and book chapters about the Victorians, suffrage campaigners and their writings, but gave up on my creative writing. The need to write kept niggling away at me until August 2017 when I couldn’t hold back any longer and I started writing One Summer’s Night which turned out to be my debut novel.

What do you love most about being an author?

I get to make people up, give them a world to inhabit, threw problems in their way, then soothe away all their sadness with love and romance. Then I get to share them with other people. What’s not to love about that!

What are you working on now?

I’m editing my fourth book, One Winter’s Night (that’s the working title anyway). It’s the sequel to my debut novel and it follows my heroine Kelsey Anderson as she stays in Stratford-upon-Avon over autumn and winter and sets up her photography studio. There’s a lot of steamy romance and festive feels in this one. It was a blast to write. (out September 2020)

What do you hope readers will take away from Summer at the Highland Coral Beach?

The message of Summer at the Highland Coral Beach is that there is always sweetness after difficulties and rainbows after storms, so hold on. Things will get better.

Also, I hope readers will take away an indelible impression of my craftsman hero – the grumpy, redheaded Scot, Atholl Fergusson, who is hotter than the sun.

Blurb

Escape to the Highland Coral Beach – where broken hearts can be healed.

Beatrice Halliday needs a break from life. Booking a trip to the Highlands on a whim, Beatrice hopes learning Gaelic in a beautiful Scottish village might help her heal her grief after losing her baby, her husband and her much loved job in a space of months.

But Port Willow Bay isn’t exactly as the website promised. Instead of learning a new language, she’s booked in to learn the ancient skill of willow weaving, her hotel room is Princess and the Pea themed (with a stack of mattresses for her bed!) and worse still, her tutor is Atholl Fergusson, grumpy landlord of the hotel where Beatrice is staying – and she’s the only one doing the course.

But as Beatrice finds herself falling in love with Port Willow Bay and its people, and as she discovers the kind heart beneath Atholl’s stony exterior, can she really leave?

Escape to the beautiful Scottish Highlands with this utterly romantic, feelgood book; one visit to Port Willow Bay and you’ll want to come back! Fans of Sarah Morgan, Carole Matthews and Holly Martin will be captivated.

Buy links (currently on sale in all countries!)

Amazon UK | Amazon AU | Amazon US | Kobo

More about Kiley

Kiley Dunbar is the author of heart-warming, escapist, romantic fiction set in beautiful places for Hera Books.

Kiley is Scottish and lives in England with her partner, two kids and Amos the Bedlington Terrier. She writes around her work at a University in the North of England where she lectures in English literature and creative writing. She is proud to be a member of the Romantic Novelists’ Association and a graduate of their New Writers’ Scheme. She’s was a ‘Joan Hessayon Award for New Writers’ finalist in 2019 with her debut novel One Summer’s Night.

Follow Kiley

Twitter | Facebook | Goodreads

 

Romance Tropes Part 1: Enemies to Lovers

I was thinking about romcoms recently – films, rather than books – and I realised that some of my absolute faves are those based on the ‘enemies to lovers’ trope.

Boy meets girl, she thinks he’s a dick. He thinks she’s stuck up. Hilarity and, eventually, love ensue.

For this trope to work, however, those initial perceptions have to be just a little bit true – he is a bit of a dick and she is a little stuck up – but both traits are about self-preservation. As the audience or reader, we see that each character’s exterior self is a defence mechanism.

And, as we’re familiar with the trope, we just know these characters will shed those prickly layers because they’ve met the other person.

Some of the best romantic comedy films do this perfectly.

  • French Kiss (Kate and Luc)
  • How to Lose a Guy in 10 Days (Andie and Ben)
  • Overboard (Annie/Joanna and Dean)
  • 10 Things I Hate About You (Kat and Patrick)
  • Sweet Home Alabama (Melanie and Jake – also a ‘lovers reunited’ story)
  • Clueless (Cher and Josh)
  • The Proposal (Margaret and Andrew – although he’s not a dick; he’s kinda terrific, actually)

Even Harry and Sally, the main characters in a ‘friends to lovers’ story start out as enemies. He’s an arrogant dick. She’s a snooty cow. They become friends, then lovers, but this film – the perfect romantic comedy and my favourite ever – leans heavily on the ‘enemies to lover’ trope.

Engaging with the other person brings out something special in each character. Sally sees Harry’s vulnerable side, getting at the root of his arrogance, and drawing out his better self. Harry appreciates something in Sally that no one else does, and she can be her truest, best self with him.

French Kiss – definitely in my top 5 romcoms – explores the depths of the trope. Yes, it is a lighthearted comedy, but when Kate and Luc are offered (very appealing) alternatives to each other (spoiler) they realise that they have fallen in love – the uptight American and the dodgy Frenchman. And (more spoilers) if that last shot of them kissing passionately in a vineyard doesn’t warm your romantic cockles, perhaps nothing will.

In How to Lose a Guy in 10 Days, Andie and Ben are unknowingly pitted against each – enemies of circumstance – yet loves conquers all. And yes, Andrew in The Proposal is an unwitting victim to Margaret’s arrogance and entitlement – so bending the trope slightly – but they are still at cross-purposes for much of the story. By pretending to be with Andrew, Margaret’s vulnerable side shines through.

Admittedly, although I love this trope, I have yet to write it.  Wait! I have an idea …

Catching up with Author Katie Ginger

It is a pleasure to welcome the wonderful author, Katie Ginger, who is here to talk about her latest book Summer Strawberries at Swallowtail Bay and all things writing.

Tell us what inspired you to write Summer Strawberries at Swallowtail Bay?

I really love writing books set in the summer and had originally pitched this to my editor as being set at a music festival. We have a chat about what fitted better with the genre and decided that a food festival would be better and much more on trend. As a result, Swallowtail Bay’s strawberry festival was born with a main character who wanted to turn it into a food festival. Though the setting changed a little, the characters all remained as I’d envisaged them with Hetty being strong and feisty and John being grouchy in his crumbling country home!

When did you start writing seriously?

I took redundancy from my job in 2014, and decided to do something completely different from working as a manager in the museums sector. I signed up for a distance learning novel writing course as I’d always loved writing but had never felt confident about it, and it all went from there! I decided to really try and get a book deal after my cousin passed away from cancer and was lucky enough to be offered a two-book deal with HQ Digital in January 2018. It’s kind of just snowballed from there!

What do you love most about being an author?

Everything! Can I say everything?! But I really do love everything about it. I love thinking and plotting stories, figuring out who my characters are and what they do and what their emotional scars are. I love the excitement of the first draft and discovering the story and then editing. Editing is, I think the hardest thing but a necessary evil! Weirdly, the stage I love most is copy editing. I am so in awe of copy editors who know all the technical rules about dangling participles and all that stuff. That’s when a manuscript really gets shined up, I think!

What are you working on now?

I’m currently working on edits for the Christmas novel: the final book in the Swallowtail Bay series! I’ll be kind of sad to say goodbye to that little town! Then I’ll be working on some ideas for romantic comedies for next year (very excited about those!). I’m also venturing into a bit of historical cozy mystery writing under the pen name K E Coburn. It’s pretty full on, but I love it!

What do you hope readers will take away from Summer Strawberries at Swallowtail Bay?

I really just want to give readers a little bit of respite from this crazy world we’re in right now. I hope I manage to make them laugh and smile and enjoy being somewhere else, away from the day-to-day worries. If I can do that, then I’ve hit the jackpot!

More about Summer Strawberries at Swallowtail Bay

Grab your strawberries and cream and get ready to return to the beautiful Swallowtail Bay!

Summer is in full swing and the locals are getting excited for the launch of the Swallowtail Bay strawberry food festival. But will all run smoothly when festival organiser Hetty’s heart is torn between lord of the manor John Thornhill and successful bakery owner Ben?

Buy Summer Strawberries at Swallowtail Bay

Amazon UK | Amazon US | Amazon AU | Amazon CA 

More about Katie Ginger

Katie lives in the South East of England, by the sea, and she really wouldn’t want to be anywhere else. Summer Strawberries at Swallowtail Bay is her fifth novel. The first, Spring Tides at Swallowtail Bay is available now. Her debut novel The Little Theatre on the Seafront was shortlisted for the Katie Fforde Debut Novel of the Year award, and her stand- alone Christmas novel Snowflakes at Mistletoe Cottage was a US Amazon bestseller.

When she’s not writing, Katie spends her time drinking gin, or with her husband, trying to keep alive their two children, Ellie and Sam. And there’s also their adorable King Charles Spaniel, Wotsit (yes, he is named after the crisps!).

Follow Katie

www.keginger.com | Facebook|Twitter | Instagram

 

Catching my breath 2

It has been an incredible time over the past couple of months since I wrote the first ‘Catching my breath’ post. Here’s what I have been up to…

Like many of you, we are in lockdown here in Australia. In my ‘day job’ I work in adult education, specifically online adult education and as you can imagine, we have been ridiculously busy these past six weeks.

In addition to working fulltime, I have been a busy little author too.

  • I planned, book, and cancelled a BIG trip to the UK in June and July. I was particularly excited about this trip, because I was going to attend the RNA conference in Shropshire, meet my agent and some close author friends in Scotland (also part research trip), meet my editor and publishing team in London, and spend at least a month of that time writing while holed up with my family in Rugby. Instead, the whole thing is postponed until 2021.
  • In February, sent across my first round of edits for book 3 (and 3rd in my series), A Sunset in Sydney, and I just sent back my structural/copy edits a couple of days ago. It comes out early July so we are on track!
  • At the end of March I sent across my 4th book, The Christmas Swap, which is a stand-alone book that comes out in October.
  • My 2nd book, That Night in Paris, was published a few days ago, so my time on publicity and social media ramped up considerably this past week, and in the lead up to publication, I prepared 4 guest pieces, and arranged announcements with 4 associations. I even had a giveaway with ARRA.
  • I was an early reader for Sarah Louise Smith, Mandy Baggot, and Julie Houston‘s latest books (how could I say no?) They were all wonderful reads, by the way.
  • I’ve featured 4 authors on my site, Sasha Greene, Andie Newton, Nina Kaye, and Fiona Leitch.
  • I’ve updated my site and other author profiles with my upcoming books – covers and blurbs, and other behind-the-scenes author biz.
  • I’ve blogged about writing romance in the time of COVID.
  • Annnd, I am about to dive back into my 5th book, the 4th in the Holiday Romance series, which I started writing around this time last year and had to put aside when I commenced fulltime work. I am about 50% the way through, and for those who have read That Night in Paris (or are about to) my sneak peek is that it is about Jaelee and is set in Bali and New Zealand!

I hope you are all staying safe and well. Happy reading!

What’s in a (character) name?

writer-1421099_1280

As an author, choosing names can be one of the most fun aspects of writing or one of the trickiest.

An author can spend hours on baby name generators, or genealogy and history sites to come up with the perfect names―not only for their main characters, but every supporting character, the names of towns, and even fabricated company names. As an author, I’ve even ‘borrowed’ names from my friends, family and former students.

But why is naming so hard? For me, there are a few reasons.

Names are subjective and (often) have personal connotations for the reader

As a former schoolteacher, there are some names that I won’t touch with a barge pole, simply because they elicit memories of difficult students. Those names may be completely innocuous to most readers, but as I’ll spend the most time with my characters, they make the ‘no go’ list.

The same goes for names with varying ‘heat levels’. If I’m naming a sexy love interest, are some names off limits? Is Milo a hot guy’s name or a hot drink from Australia? Where will my readers land on Rupert (no for me) or Henry (yes for me―but only because of Cavill)?

And while I am a huge Keanu fan―and of course there are quite a few Keanu’s out there in the world, especially ones born after The Matrix came out in ‘99―it’s just too evocative of the Keanu that it’s on the ‘no go’ list too.

Names are ‘fashionable’ and ‘unfashionable’

As we know, names go in and out of fashion, with some names circling back onto the ‘fashionable’ list every other decade or so.

After the film, Splash, came out in the mid-80s, the most popular girls’ name for years was ‘Madison’―simply because a mermaid named herself after Madison Avenue in New York. Until then it was just a last name, but it might be perfect for a character born in the 80s.

And writers of historical fiction are limited even further. There probably weren’t (m)any Kylies or Kylos in the 1800s. As an aside, I have so much respect for historical fiction authors―all that research!

Names have to ‘fit’ the character

I’ve heard this from other authors, so I know I’m not the only one to do it, but sometimes I will choose a name for a character and as I am writing, I realise it doesn’t ‘fit’―that they are not an ‘Eleanor’, but more of a ‘Susan’. Of course, this ties back to my first point about names having connotations, but the name must suit the personality of the character, as it is one of the tools an author uses to evoke their characteristics.

In my 4th book, one of the characters is an actor and I’ve given him a stage name―his mother’s maiden name as his first name. And I got her maiden name from researching last names from Oxfordshire. I tried combinations of last names until I got one that just evoked ‘international film star’.

And many authors I know will name the villain or the antagonist after someone they’ve encountered in real life. It makes me wonder if there really was a ‘Hannibal’ in Thomas Harris’s life, when he penned The Silence of the Lambs.

When naming comes easily

Sometimes naming isn’t hard, like when a character arrives in my head (almost) fully formed, including their name. And some names are an homage to someone special.

In my 4th book, there are three main characters―best friends―and all their names begin with ‘L’, Lauren, Lisa, and Lucy. I have special friends with those names and writing their names into a book is a lovely way of honouring them. Even naming minor characters after people I know can a fun way to include them in my work.

So, next time a character’s name lands with you perfectly, or rubs you the wrong way, just know that the author may have agonised over that choice. And ask yourself if it hit or missed the mark because one of the reasons I’ve mentioned here.

Originally posted on Portable Magic as a stop on my blog tour for That Night in Paris.

Catching up with Author Andie Newton

Today I am very excited to welcome my friend and fellow author, Andie Newton, who is here to talk about her debut novel, The Girl I Left Behind, a taut, pacy, spy thriller set in Nazi Germany. Let’s talk to Andie!

Tell us what inspired you to write THE GIRL I LEFT BEHIND? I wrote the first words of my debut novel, The Girl I Left Behind, just over ten years ago. I never thought I’d write a novel. Ever. One day I caught a documentary on the History Channel about Nuremberg’s historic Kunstbunker, a secret art bunker the townsfolk hid from Hitler, and I was instantly intrigued. More so, the documentary talked about the youth resistance. I have a degree in History, so I suppose you can say my thoughts are already in the past. In this case, I set out to learn more about the youth of the German Resistance. I tried to find a novel on the subject and couldn’t find one, and as corny as it sounds, set out to write the novel I wanted to read.

What research did you undertake when writing The Girl I Left Behind?

I read a lot. I read diaries, interviews and news articles about resistance members. I also contacted businesses in Germany and asked questions about their past. Yep. I did that too! One of the most interesting stories that came from these emails involved the Korn und Berg bookstore in Nuremberg. They wrote me a long email relaying a story about when Hitler came into their bookstore and demanded they change the shape of their windows because they weren’t modern enough. Oh, you better believe I wrote that into this book!

What was your favourite scene to write?

My favourite scene to write was the tea scene with Ella’s aunt and her Nazi friends. There’s so much going on here than just a group of gossiping women. I’d read that Hermann Göring’s family was elevated in status after his career in the Reich took off, so I wrote that into the scene with one of the ladies. Also, well… I don’t want to give anything away, but when Ella offers to serve her aunt’s guests…ooh, I love it!

What are you working on now?

My next book will be out this summer, THE GIRL FROM VICHY. It’s about a woman who joins the French Resistance (1942) and spies on her collaborator boyfriend—a gendarme in the Vichy police. This book is about a family that is politically divided, which was really interesting to write. This book, as with THE GIRL I LEFT BEHIND, is very fast paced and full of suspense. My third book with Aria Fiction will be released in 2021. This book is still top secret, but what I can tell you is that it’s a WWII female-driven spy novel involving American women, and I absolutely love it.

When did you start writing seriously?

I started writing seriously the day I began my novel, October 3rd 2009. Really. I started with zero experience, armed only with my ideas. I think the number one thing that stops writers who have great ideas is not writing regularly. You don’t need to have years of writing experience or have longed to be an author your whole life. But you do need to sit down and write, AND then work at it every day (and hopefully get better at it). My first pages were awful. AWFUL. I just kept at it.

What do you love most about being an author?

This may shock people, but the part I love the most is also the part I hate the most: Structural edits. These are the changes my editor suggests in the form of an editorial letter. My first letter (for THE GIRL I LEFT BEHIND) was 7 pages long, my second letter (for THE GIRL FROM VICHY) was five. I think the biggest misconception is that people think an editor actually changes your manuscript, or the publisher does. Oh no, I’ve written every single word. The edit letter consists of broad suggestions, followed by smaller points. It is up to the writer to figure out how to apply those suggestions to the story.

The reason I love and hate structural edits is simple. I have to write under a deadline, which is stressful, but I love it because I can see the manuscript changing into something wonderful and strong, much stronger than it was originally, and that is why I love it. For me, the last day of edits is usually bittersweet, as it is the last time I’m knee deep in my character’s lives. What follows are the copy edits and proofs, and at this point all story elements are done.

Here’s more about Andie

Andie Newton writes female-driven historical fiction set in WWII. She’s the author of The Girl I Left Behind (Aria 2019) and The Girl from Vichy (Aria 2020). Andie holds a Bachelor degree in History and a Master in Teaching. She would love to say she spends her free time gardening and cooking, but she’s killed everything she’s ever planted and set off more fire alarms than she cares to admit. Andie does, however, love spending time with her family, trail running, and drinking copious amounts of coffee. Her next book, The Girl from Vichy, is coming in August this year.

You can find discussion questions for her novels on her website andienewton.com. And you can follow her on:

Facebook | Twitter | Instagram | Goodreads | Bookbub

 

#ArmchairTravel is (literally) the only way to go

chair-270980_1920

So, we are in very strange times. The world has been sent to its room and now we must find a new kind of balance in all that we do, when all that we do is in the confines of our homes.

As a lifelong traveller, someone who longs to go, see, and do, this lockdown means I need to find a new way to travel. And to do that, I will be reaching for the books of my colleagues in the travel fiction and travel biography genres.

I’ll be picking up Frances Mayes and Julie Caplin, Kiley Dunbar, Linn B. Halton, and Paige Toon. There are dozens of us who write about faraway places and evoke just what it’s like to be there.

My next book, That Night in Paris, will take you on a whistle-stop tour of Europe, and the one after that, A Sunset in Sydney, to London, Hawaii, New Zealand, and Sydney. You could even catch up on my first book, One Summer in Santorini, which will whisk you off to the Greek Islands.

So in this unprecedented time when the only way to travel is from the comfort of home, seek out your travel adventures within the pages. And from me is a promise to keep taking my readers to wonderful locations.

See you amongst the pages.

Image by Hans Braxmeier.