A Sunrise over Bali, the 4th book in the Holiday Romance series, is out next month. I wrote this book in 2020 and while I was writing it, I blogged about writing the ‘unlikeable’ character.
Written May 2020
In Bali, I am hyper aware that my main character is, based on her role as a supporting character in That Night in Paris, “unlikeable”―so much so, that when I mentioned to a friend who I was writing about, she cringed.
So, why write this character? Why give her a whole book?
In short, it’s because I love her.
I love the hard, prickly exterior she uses to mask a lifetime of being terrified of vulnerability. I love that, once she does care about someone, she is fiercely loyal and generous. I love that she is feisty and bold, independent and resourceful.
I love that, just like the rest of us, she is complex and a mass of contradictions, and that there are clear reasons why she is like she is.
I am about 80% into the book, and I’m enjoying watching her grow. There are moments she has, where she realises something about herself, or where her heart fills, and I am proud of her―this imaginary person.
And I’m realising as I write, that the through-line of this book is compassion―for oneself, for others. She may not be likeable to every reader right away, but as the layers strip away, she is/becomes a beautiful human being. How many times have we met someone who irked us, and through compassion, we’ve realised that there is more going on than their exterior, that we could love them or let them into our lives?
I’ve said before that I know my books won’t be for every reader. My first three books are about the Parsons sisters, Sarah and Cat. For some readers, these characters read as ‘immature’ ― ‘how can these women be in their thirties?’ ― and for those readers, Sarah and Cat are unlikeable because of their immaturity. But I stand by them as believable, because in many ways, Sarah is a lot like a thirty-something Sandy ― sometimes whiny, often witty, confused about love, and trying to find her way.
But what’s important to me as a writer, is that these realistic, perhaps unlikeable women, transform. I want my books to be about growing, learning, opening the heart, and transformation.
And in real life, imagine how dull it would be if every person we met was instantly likeable, if no one rubbed us up the wrong way, or disagreed with us, or challenged us to see ourselves in a new light. How would we grow? How would we develop compassion and understanding? I posit that we wouldn’t.
So, even if you initially find a character unlikeable, give them a chance to reveal themselves, to become their true, loveable selves.
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