A year to remember

I created this meme several months ago and it turned out to be a perfect foil for the despondency I felt when the Premier of Victoria announced that we were going into the strictest pandemic lockdown in the world ― and not for a pre-determined amount of time, but (seemingly) indefinitely, until we reached zero cases for two solid weeks.

It seemed impossible ― impossible ― that we would ever achieve such a lofty goal, something no other city, region, state, or country had achieved after having such a proportionately high number of daily cases of COVID-19.

Like many others, I felt trapped, claustrophobic in my home, my city, even in the state of Victoria. I started house-hunting online, seeking a rental property in coastal and/or regional Australia ― for when they let us out.

But as we emerged from Winter, as the days started to get longer, and as we started to see results from our compliance with the newly-enacted laws, hope started to show its face again.

I had some saving graces during this time, aspects of my life for which I am extremely grateful, and I wanted to share those with you. I do want to say that I write this post knowing exactly how fortunate Ben and I are. Throughout 2020, we have remained healthy, our loved ones are (as I write this) safe and healthy, despite many of them living in hot zones, such as the UK and the US, and we retained our income and, subsequently, our home.

Space

Our apartment is in an older building in downtown Melbourne (older meaning 15+ years) and that means an expansive floorplan and enough separate spaces for two people to cohabitate 24/7 for months on end without getting (too much) in each other’s way.

I have a super splodge work station for my day job and writing (I commandeered the guest room after realising we would have exactly zero guests for the rest of the year), and we have a stunning view (2 angles, 2 different times of the day).

Exercise

I need to exercise ― it is critical to my mental wellbeing and with our gyms closed and time outside limited (or just super shitty weather in the dead of Winter), I relied on home workouts and riding my spin bike (so glad I bought it in March!). I’d tee up back seasons of The Great British Bake Off and ride and ride and ride ’til I was a sweaty mess. Pure escapism. And when I ran out out of British Bake Off I watched the Aussie version. When I ran out of that, onto the Canadians. Oddly, it’s highly motivating to cycle while watching people make cake. Don’t ask me why.

When the gym opened back up, I was there ― mask and all.

Date night

Once we realised we would be in lockdown for months, not weeks, we committed to a weekly date night. When you can’t leave the apartment, this means dressing in nice clothes (and makeup for me), putting on some music, cooking something special or ordering in from a local restaurant, opening a nice bottle of wine, and eating at the table (how novel!).

Date nights reminded us that although we saw each other all day every day, we are still each other’s person. He’s the love of my life, the man who makes me think and smile and laugh out loud, who thinks of me and cares for me and lets me do the same for him. I chose him and he chose me and that doesn’t go away, no matter how much time we spend together.

(I love you, babe)

Getting out and about

We were allowed out. We could walk together for up to an hour a day (with masks). We could bike ride (without masks!). And at one point, we could have a socially distanced picnic in the park with our besties. And we took those opportunities to get outside, breathe fresh air, get a different perspective, and just be out. And, I have to say, our ‘hood, Docklands, is just gorgeous, which is great food for the soul.

Consuming creative content

People are clever ― really clever ― and a massive saving grace for me this year has been watching, listening, and reading other people’s creations (and not just Bake Off). I’ve watched entire television series from the beginning ― new, new to me, and old faves. I’ve watched films, concerts, plays, documentaries, and cast reunions. I’ve listened to podcasts, concerts, pop, classical, rock, techno ― really, just name it. And I have read a few dozen books this year ― mostly chicklit, some histfic, and (my fave) crime thrillers.

Busy, busy, busy!

For me, this year was not a time for much introspection. Perhaps 2021 will bring me the mental and emotional space to look inwards, but as well as voraciously consuming content, I’ve been creating it. I’ve published 3 books since the start of lockdown (including all the editing, marketing, and social media that go along with publishing a book). I’ve finished a work-in-progress and have nearly finished a book I started in August (my 5th and 6th books).

For me, lockdown meant ‘head down’. I threw myself into my work ― the ultimate distraction from a world on fire. I know this was not the case for a lot of authors, but for someone unwilling to spend much time on proper introspection (something I tend towards when the world is not on fire), it was an excellent panacea. With my fulltime job in online learning (and didn’t our industry pick up exponentially this year?) and authoring, it was typical for me to be at my desk 12 hours a day and most of the day on weekends. Work was an excellent distraction.

Publication day celebrations:

I’m in WA now (Western Australia), where we’ve been fortunate enough to travel to for the holidays. Spending time with our family and friends in my home state has been our ultimate reward for what has been an unforgettable year.

And when they ask how we survived it, there is one simple answer: together.

Catching my breath

I am making time this afternoon to write a post, which I have (as you can see above) entitled ‘Catching my breath’. It’s a ‘fake it ’til you make it’ type strategy as I am professionally breathless.

I am still working fulltime and getting up every day to put in an hour or two of writing/editing/author biz before work. But soon I will be paring back to .9 (woo hoo), giving me every other Friday off to write like a little writing fiend.

When asked about my WIP (work in progress) I currently respond with, ‘which one?’ ’cause there is a little bit going on in my author world.

Status update:

  • My travel romcom series recently got a name: The Holiday Romance series
  • My third book got a name – not officially shouted out on social media yet, but it will be A Sunset in Sydney
  • The same cover artist who created the covers for Books 1 and 2 is – as you read this – creating a gorgeous depiction of Sydney (squee)
  • In January, I finished the first draft of my Christmas novel (coming in October), called The Christmas Swap
  • I am completing structural edits for A Sunset in Sydney right now (well, not right right now, as I am writing this post)
  • When structural edits are handed over, I go back to a re-write of The Christmas Swap which is due at the end of March
  • Once that’s handed over, I will get copy edits back for A Sunset in Sydney
  • In the midst of all this, I am working on the launch of Book 2, That Night in Paris (April 15 – pre-order now!)
  • In June, I go to the UK to attend the HarperCollins author party, the RNA Conference, and to meet my editor and agent in the personage
  • While in the UK, I will go up to Edinburgh for research, as it is the setting for the second half of my 5th book, the 4th book in The Holiday Romance series, which is about a supporting character from Book 2 (did you get all that?)
  • Also while in the UK, A Sunset in Sydney will be published, so lots to do in the lead up to that!
  • And once back from that trip, in early August, I will be finishing Book 5 and will receive structural edits for The Christmas Swap

Actual picture of me when I’m killing it:

pop-art-multitasking-busy-business-woman-at-office-vector-11222980

And sometimes me:

exhausted

But also me:

Jennifer-Aniston-gets-excited-after-winning-her-first-SAG-award

I really, really, really, love being an author and I am still pinching myself.

 

NoNo NaNo, WhyNo FOMO?

NSW Oct 2019

Next month is National Novel Writing Month, or as it’s called in the (writing) biz, NaNoWriMo, or NaNo for short. Yes, I know it sounds like something Mork would chant right after he called Orson, but NaNo is serious.

The goal is to write (at least) 50,000 words of your WIP (work-in-progress) in the month of November, an average of 1666.66 words a day, give or take a decimal point.

I did my first (and only) NaNo in 2018 while we lived in Porto during our sabbatical. I had written 30,000 words of my (then) WIP, and I set myself the goal of finishing the manuscript during NaNo. As we were on sabbatical and I didn’t have any contract work in November, I could dedicate myself to full-time writing. I smashed it. 75,000 words in three weeks.

I had an online support group — NaNo encourages community — and a group of young Portuguese writers who I got together with once.

Only once, because the in-person group weren’t really working towards getting published. One of the gals I met was doing her 12th NaNo. She looked so young , I jokingly asked her if she’d done her first one when she was ten years old. No, she’d been eleven. She’d written eleven manuscripts eleven years and none had seen the light of day since. The others in the group were the same — for them, NaNo was about the community, putting pen to paper, or fingers to keys, and letting the stream of consciousness flow.

For me, NaNo was about writing a novel I could get published. (The novel I finished last November, That Night in Paris, is being published in March by One More Chapter, an imprint of HarperCollins. Watch this space — literally.) I gave these young writers online support for the rest of the month, but as we had very different goals, they weren’t really my writing tribe.

Flash forward to July this year. July is ‘Camp NaNo’ with the more achievable goal of 30,000 words in 31 days. I had an idea for a Christmas book and got 35 000 words in. The biggest difference between NaNo 2018 and Camp NaNo 2019 was that this year, I have a full-time job. I was happy with my Camp NaNo word count, and the manuscript — another ‘watch this space’ for Christmas 2020.

The intensive NaNo approach seems to work for me, so surely I am doing NaNo 2019?

No. NoNo NaNo for me this year.

And, as soon as I made that decision, I felt like I could breathe again.

Because, I’ve got enough to get on with in the next few months. Finalising edits for That Night in Paris, then handing over structural edits for the third book in my travel romcom series, then finishing my Christmas book.

I am already at capacity, and I already have the motivation I need to get the work done.

So this year, I will be championing my writer friends from the sidelines. You got this. You’re amazing. Practice self-care. And write, write, write.

My #WIP

Now that my debut novel is out in the world, I am fielding lots of questions about what’s next, so I thought I’d blog about it and let you know!

Aside: I have been overwhelmed by the support from the writing community since my debut was published, especially romancelandia, and by the responses to One Summer in Santorini from readers. I’ve had messages, Tweets, Facebook comments and so many wonderful reviews and ratings. Around 95% of readers love my book and it is still sitting well in the charts. I am humbled, grateful and excited by this. Thank you!

But what now?

As you may know, I work fulltime for an educational company as a professional development specialist. My work is 90% reading, writing, and editing educational materials, so sometimes finding the impetus to write and edit fiction is tricky.

But, I have found a solution!

On weekdays, I get up 2-3 hours before I go to work, and I do author biz (respond to emails and messages, post to social media, and so forth), then I write or edit. The early starts have worked well for me.

In July, I participated in Camp NaNoWriMo and wrote 35000 words of a Christmas novela – all in the wee hours. I’ve set that story aside for now, as I am currently (re)editing book #2.

Book #2 is actually the third book I wrote – after the sequel to One Summer in Santorini – and because it is in the same world (it’s about Sarah’s sister, Cat), I am editing to ‘fix’ the chronology. It now takes place right after One Summer in Santorini, and I’ve edited out all the spoilers for the sequel to Sarah’s story.

I had edited this book – I call it Cat’s book at the moment – last year, after I finished writing it, but I am a better writer now, so I have also tightened it up in this editorial pass. I will soon hand this over to my editor for their edit. When it comes back to me in a month or so, I will incorporate their edits and it goes back across to them. In the interim, it will get a name and a cover(!)

When I hand over Book #2 (sometime in the next 2 weeks), I have a few options. I can work on the Christmas story, which will now be a full-length novel, go back to Book #4, which is based on a character Cat meets in Book #2 (I’m about 50000 words in), or begin a structural edit of the sequel to Sarah’s book.

So many choices!!! However, the two unfinished stories do call me.

Essentially, what I have learned about being an author, is that there is always something to do. I move between writing and editing, and while I work on these 4 books – each in its own stage of development – there are other book ideas busting to get out. I temper those ideas by making notes, but not letting them take up any real estate in my mind – it’s already crowded in there.

Book #2, That Night in Paris, is about these two, Cat and Jean-Luc… Oolala!