Tag: characters

Why Schitt’s Creek is the perfect TV show

Why Schitt’s Creek is the perfect TV show

sandybarker

I have a confession. I came very late to the Schitt’s Creek party, but in doing so, it has proven to be the perfect isolation viewing―and I consumed all six seasons in a matter of months. It was like molten chocolate for my brain.

schitts_creek_cast

But that’s not what this blog post is about.

Schitt’s Creek is the perfect TV show for a romantic comedy author, and here’s why…

[SPOILER ALERT: I will be as judicious with spoilers as possible, but if you hate them entirely, stop reading now.]

Character arcs

Having devoured the entire series over a short period of time―seriously, how did early adopters wait out those long periods of no new episodes for the past 6 years?―the character arcs were heightened for me.

When we meet the Roses, they have just lost their billion-dollar empire to a Ponzi scheme and when they realise they ‘bought’ a town in the middle of nowhere on a lark―just because the name was funny―Schitt’s Creek―they move there. They take up residence in two adjacent motel rooms, parents in one and adult children in the other, as though they are not in their late-20s and early-30s.

The Roses are spoilt, entitled, vacuous, and completely unlikeable―fish out of water in the most perfect, beautiful way.

What ensues over the course of 6 seasons is an unveiling of humility, humanity, and tight familial bonds. And, as a viewer, you come to love them all.

I posted recently about ‘Writing the Unlikeable Character‘ and there are two factors that are key in winning over the reader or viewer.

First, the character―initially repellent―must transform. They must self-reflect, learn lessons, and decide they want to be a better person.

Second, we must see the character’s vulnerabilities, their motivations and objectives, the backstory that explains why they are the way they are. It’s the chinks in the armour that that endear these characters to us as readers or viewers.

Schitt’s Creek accomplishes this perfectly.

I cried so many times watching this show, but here are some fave moments of vulnerability.

  • Moira and the Jazzagals singing unexpectedly at Alexis graduation
  • Johnny seeing how hurt Stevie is by the travelling Lothario and treating her just like he’d treat his own daughter
  • Patrick singing ‘You’re Simply the Best’ to David and tears streaming down David’s face
  • Alexis and Ted’s ‘I love you’ dinner at the cafe in Season 6

The final episode of the series had me weeping. I loved these characters entirely and I championed their happiness.

Character arcs―booyah! This show is like a masterclass.

Comedy

I love a good ensemble, character-driven comedy (Brooklyn 99 is a fave) but (for me) what sets this show apart from others is that all four lead actors―and many of the supporting actors―are, quite simply, comic geniuses.

Their skills as actors lead to authentic comedy. There aren’t snazzy rim-shot one-liners, there’s no need for a laugh track. It is just hilarious. I laughed aloud―like a proper, throw my head back laugh―every episode.

The comedy in Schitt’s Creek comes from the whole (character) self―the vocal tones and intonations, the facial expressions, the gestures and postures, the pauses―as much as it comes from the lines.

Though the lines are brilliant.

David to Moira after she is insensitive to Alexis’ break-up: “I have never heard someone say so many wrong things one after the other, [pause] consecutively, [pause] in a row.” You can get that quote on a T-shirt. But what makes the line is the pause Daniel Levy (as David) incredulously takes before he says it, the pauses in the line to drive home David’s meaning, and the horror on his face. Genius.

Catherine O’Hara’s Moira is incredibly funny―her appearance, her dialogue, her gait, the intonation of her bizarre affected accent. There’s a whole compilation on YouTube of every time she says ‘baby‘. I laugh when she appears on screen, girding my comic loins for whatever is to come.

Moira

And Alexis’ posture, gestures and facial expressions, Johnny’s raised eyebrows and confused smile―all of these comic nuggets is a masterclass in developing a fully-fleshed-out comedic character.

As a writer of romcoms, I aim to pepper my stories with authentic comedy―the humour coming from the ridiculous real-life situations that make us laugh at ourselves, either in the moment or in retrospect. And I can enhance comedic moments by hitting on all the details that make them up, not just the dialogue―just like in Schitt’s Creek.

Romance

Romantic love is one of the dominant themes in Schitt’s Creek.

At the heart of the show is the great love affair of Johnny and Moira―forty years and counting―and every time Moira mentions how they met, or remembers a romantic interlude, her eyes sparkle.

And, surely, only someone who is completely in love with Moira would be as patient and loving towards her as Johnny is. Moira tells Alexis, when she’s facing a love conundrum, that she and Johnny work so well despite their differences, because they want the best for each other and they love and respect each other. Swoon.

[Major spoiler]Patrick is the perfect love interest for David. Their love story is so romantic, so genuine, that when David doubted he was worthy of Patrick’s love, I wanted to reach into the TV and shake him. These are two people who truly see each other, and they are both better people for the love they share. Swoon.

first kiss_0

[Major spoiler]Watching Alexis fall in love was like watching a toddler take their first steps. Her relationship with Ted begins superficially―he’s the hottest guy in town, so ‘obvs’ she is going to pair up with him. It’s only when she loses him that she realises how kind, thoughtful, generous and incredible he is. When she gets a second chance, she does everything she can not to screw it up―including agreeing to live overseas in a tent―and ultimately realises that she loves him enough to let him go. Selfless, real, and heartbreaking love. Swoon and sob.

Even Roland and Jocelyn are madly in love, which provides it’s own comedy, because, really, Jocelyn? Roland???

At some point (probably soon, as we have just gone into our second lockdown here in Melbourne) I will start at the beginning and watch it all again―this time with fresh eyes as a masterclass in the romantic comedy genre.

 

 

 

Catching up with Author Nina Kaye

Catching up with Author Nina Kaye

sandybarker

It is a pleasure to welcome fellow author, Nina Kaye to my blog. I asked her some questions about her debut novel, The Gin Lover’s Guide to Dating, which I absolutely loved, and about her work as an author.

Tell us what inspired you to write The Gin Lover’s Guide to Dating?

The seed of my debut novel, The Gin Lover’s Guide to Dating, was first planted when my literary agent, Kate Nash, said to me, ‘whatever you write about, make sure it has gin in it’. But obviously there was more to it than that. The three key ingredients were the beautiful setting of Edinburgh, my experience working in the hospitality industry, and (of course) my appreciation of gin! It was important to me to bring real life issues into my novel, but I also wanted to show the light-hearted side of life in Scotland. I’ve actually written a guest blog post on ‘the story behind my story’. You can read it here.

When did you start writing seriously?

I started writing properly just over five and a half years ago when I was fighting a debilitating illness and desperate to get my life back. This is a story I intend to share when I’m able to bring my most recent work in progress to my readers, so I’ll park that for now and focus on my journey to publication instead.

My initial goal was to see if I could write a full-length novel. It was daunting to begin with, but it came more easily than I expected, and after six months I had my first full draft. Then, after lots of editing to shape and polish it, I asked myself: what next? I knew nothing about the publishing industry, so I did some research and decided I had nothing to lose by querying with Literary Agents. Fifteen rejections later (thankfully, with encouraging feedback!), I accepted that my first novel wasn’t going to be my big break and self-published instead. But a month later, a late response came back from my querying, and this turned into an offer of representation.

After more shaping and polishing, my manuscript went on submission to publishers for their consideration. I spent months biting my nails as one rejection after another flowed into my inbox (but with very encouraging feedback once again). By then, I was writing book number two and the focus had shifted to that. We then went through the same process, and first came the inevitable flurry of rejections – which I was used to by then. People kept saying to me, all it takes it one person to say ‘yes’, and they were right. The day my publishing offer flashed up as a notification on my phone, my legs went to jelly and I shared an emotional hug with a perfect stranger in the ladies toilets of my then workplace.

That was last June and after working closely with my publisher on yet more shaping and polishing, my debut novel, The Gin Lover’s Guide to Dating, was released in November. It’s been an amazing (and nerve wracking!) process, and I’m so glad I kept at it. Now my focus is on building my profile as an author and getting visibility for my book.

What do you love most about being an author?

There’s so much I love about being an author. Someone once referred to me as a ‘frustrated creative’ and that label really struck a chord. In my day job I’m creative, but I’m also very structured and focused – and it’s those skills that people tend to seek me out for most often. I’ve long needed a creative outlet that’s mine and mine only, and writing is perfect for that. I love that I can escape into this whole other world where the story takes whatever direction I choose. It’s so vivid, I feel like I’m there watching it unfold.

I also love the new friendships and connections I’ve made through being a client of the Kate Nash Literary Agency and a member of the Romantic Novelists Association (RNA). So many like-minded people I can really connect with, and we’re all on this journey together. The RNA is fantastic. I’ve never been part of something that has such a sense of community before. It doesn’t matter whether you’re a newbie or an esteemed author, you’re welcomed and included – and everyone cheers each other on!

What are you working on now?

I’m currently working on two different pieces. My main work in progress is another romantic fiction novel about a character who’s diagnosed with a life changing illness, and her determination to reclaim her life (including her romantic life). I’m using my own personal experience as inspiration for this. It’s perhaps a bit more poignant than my debut because of the subject matter, but I’ve used plenty of humour to keep it as light and engaging as possible.

My second piece is the sequel to my very first novel, which is currently unpublished. This ‘two-parter’ is a fast-paced, humorous story about a woman who’s very ambitious but who lacks the confidence to be the assertive, successful person she wants to be – and there’s a dollop of romance in there too.

What do you hope readers will take away from The Gin Lover’s Guide to Dating?

The Gin Lover’s Guide to Dating is a light-hearted romcom, so I have no unrealistic expectations that it will change anyone’s life. But this is a tough world we live in, and I felt it was important to represent some of that struggle within the story. I also believe it’s important that we (and by ‘we’ I mean the human race) never lose our sense of humour. People say ‘laughter is the best medicine’, and while I realise this saying has become a bit of a cliché, I know that having a sense of humour has helped me through some very difficult times.

Ultimately, what I hope for is to give my readers a good laugh, make them think a bit, make them feel good – and give them that satisfying happy-ever-after.

If you haven’t read it already, here’s the book blurb:

When life gives you lemons… add a splash of gin! 

When Liv’s high-flying career goes off the rails, she finds herself working at a glitzy new gin bar to pay the bills. She’s never let romance distract her, but with one very hot colleague, a mysterious online follower who might just be her soulmate, and a lot of cocktails, her dating life is about to be shaken up…

But is Liv looking for a sparkling flirtation, or something a little stronger?

Sometimes you have to face up to your past, seize your future, and mix your own recipe for happy ever after…

And here’s where you can get your own copy:

Amazon UK | Amazon AU | Amazon US

 

Write what you know, right?

Write what you know, right?

sandybarker

In the late 90s, I was a European Tour Manager for a company that specialised in tours for 18-35 year olds. See?

EE 1997-No Contiki

Aside: Gotta love those ‘mom jeans’.

I always said I would never go on one of these tours, let alone work as a TM, but when you have a devastating breakup in Paris from a 5-year relationship and you still want to see all the places you were supposed to see on that trip with your now ex-boyfriend, you book a last-minute tour.

After said Parisian breakup, I arrived home (in London) on the Eurostar, got on the phone, and booked a 2-week trip that started the next morning at 7am. I was back in Paris within 24 hours of leaving and on that trip, I met 5 women who became my bus besties. I am still in touch with Michelle, the tall blonde.

Venice 1996

Months later, while I was living in London and doing day-to-day relief teaching, I saw that the tour company was hiring. “I could do that job,” I thought. I applied, along with a couple thousand others, and after an interview process that would NOT pass muster in this #metoo world, I got a spot on the 7-week training trip.

Surviving that was like getting to the final four of Survivor. It was something akin to bootcamp, but with less creature comforts. We averaged 4-5 hours of sleep a night and we slept in tents – in winter – in the snow. We were quizzed relentlessly on routes, opening times, history, currency conversion, places of interest, and architecture. I made lifelong friends, because, really, in the extreme circumstances, all we had some days were each other.

And then I was placed in charge of my own tour – a 5-week camper – the first of a long season that took me into November. It was one of the best and worst years of my life. The best because of the friendships I made, the places I saw, and the experiences I had. And the worst because … well, that’s another blog post.

But, one of the most incredible things about that time is the material it has given me for my writing.

In my 1st and 3rd books, the main character is Sarah Parsons, and like me, she once ran tours in Europe. When her sister, Cat (the main character is book #2), books a 2-week bus tour around around Europe to escape her lovelorn flatmate, Sarah is able to rattle off the full itinerary without hesitation.

And Cat booking that tour meant that I got to write a 2-week bus tour around Europe!

Cat’s 3 bus besties are inspired by my real life bus besties. Michelle inspired Mama Lou, Weyleen (far left above) inspired Jaelee, and Sophie (second from the left) inspired Danielle. I was able to write the places in great detail, because I’d been to them many (many) times. And I was able to write exactly what it’s like to travel on a bus tour – right down to the (ridiculously) early starts, the heinous ablution blocks, the tight schedules, the fast-but-firm friendships that are formed, and how wonderfully Europe excites and entices the senses.

Here’s a little peek into that world…

Florence
Barcelona
Corfu, Greece
My first tour, Florence
My fifth tour, Florence
With my first crew, Lucy and Richard

It was brilliant fun writing That Night in Paris. Early readers are loving it, and you can preorder now (April 15 for the ebook and June/July for the print version) – just follow the link above.

Ciao!

Catching up with Author Sasha Greene

Catching up with Author Sasha Greene

sandybarker

Today, I am thrilled to welcome author, Sasha Greene.

Sasha Greene

She is a writer and computer programmer who lives in Glasgow, and struggles to stop the books in her house from multiplying mysteriously and overflowing on the bookshelves. (I think many of us can relate to that). Sasha is also an adaptive snowboard instructor, in which she passes on her love of mountains and racing down a hill to people with physical and mental challenges.

I asked Sasha about her debut novel, Something like Happy, and being an author.

Please note that some of the content in this post talks about mental health and suicide.

Tell us what inspired you to write Something Like Happy? 

I’ve always wanted to set a book in Glasgow, because it’s such an amazing city and it tends to get passed over in favour of more glamorous locations. I also really wanted to write a book which touched on the theme of mental health in a positive way, because there is still so much stigma regarding the topic, especially around suicide. There are so many people who seem to be fine at first glance but are actually really struggling with their mental health on a daily basis. All these people inspired me to create my characters, Jade and Nick, who are just doing their best to navigate their way through the issues they’re facing. 

When did you start writing seriously? 

When I was a child, I was very serious about my writing. I wrote fairy tales about witches and talking houses and illustrated them too. I still have copies of them somewhere. I think I was about 15 when I tried to write a historical crime romance story. It wasn’t very good (I know, because I still have a copy of it!) and I think I got a bit disheartened and gave up on writing. I didn’t start writing seriously again until about eight years ago, when I found a course run by Kate Walker on writing romance. She encouraged me to apply to the Romantic Novelists’ Association New Writers’ Scheme, and the rest is history. 

What do you love most about being an author?

There are so many things it’s hard to pick! Seeing my book and being able to physically turn the pages was so exciting. Getting my first five-star review was exhilarating. But I think the most amazing experience was when someone told me that they had given the book to a friend who never reads books and they loved it and now they want to read more. Knowing that I’ve helped someone to find a joy in reading is something I really treasure.

What are you working on now?

I’m writing a follow-up to Something Like Happy, where one of the supporting characters gets his own story. It’s about two people who have both been through traumatic experiences and need to figure out if they can trust each other. PTSD is quite a challenging topic to write about, so it’s taking a lot of work and research but I’m really excited by how it’s all finally starting to come together. It’s going to be another great story.

What do you hope readers will take away from Something Like Happy?

I really like the title of the book because it’s a good reminder that life will not always be happy, but as long as it’s something like happy, then that’s enough. Most of all, it’s just a good story that I hope people will love reading, but if it also gets people talking about mental health then that would be great. I went through a period where I had some serious issues with my mental health, and reading positive stories was what kept me going. Everyone deserves a happy ending.

You can follow Sasha on her website and on Twitter.

More about the book:

something_like_happy_cover-SG

Something Like Happy is an emotional and thought-provoking novel about friendship, love and day-to-day struggles with mental health. Jade is just trying to get by. She doesn’t want to talk about it. She doesn’t want a fuss. But one day she meets Nick and everything changes.

Out of the most difficult of situations, Nick and Jade’s friendship grows into something neither never knew they needed. Jade used to be sure that she was better off alone. But could it be that together, with Nick by her side, she can start to feel something like happy again?

Where can you get it?

Amazon UK | Amazon AU | Kobo | Waterstones | WHSmith | Booktopia | Dymocks | Angus & Robertson

 

Drama Queen: Becoming a Novelist

sandybarker

Since I can remember, I’ve loved writing. I still have my Year 4 composition book and I was quite the short storyist (I also like to make up words). In my teens I wrote a gripping satirical piece on public toilets and started a novel (to date, still unfinished).

At university, while studying a BA in English and majoring in Literature and Theatre Arts, I wrote piercing exposes about sexism in classic novels and the sexualisation of men in Glam Rock – I know, also gripping stuff. I wrote angst-ridden monologues, which were somewhat sophomoric considering I was in my early twenties and no longer a sulking teen.

I kept a journal from age twelve, one of those small, but fat diaries with a gold lock that my eight year-old sister could easily pick. I upgraded to bigger and better journals, but stopped journalling about fifteen years ago when I realised I spent more time writing about my life than living it.

All of these writings and musings are where I cut my teeth as an author, but the one thing that has served me best as an author is Drama – my time studying performance and plays, my time on stage, and my time as a Drama teacher.

Drama taught me invaluable lessons I draw on every time I write.

Character motivations

Characters must have a motivation. It’s that simple. They must want something, even if they don’t (yet) know that they want it. Characters can also be their own antagonist – just think of how many people you know who self-sabotage. Any time my writing stalls, I ask myself, what does this character want and what will they do to get it?

Character arcs

Not only do characters need a motivation, they must move – and I don’t mean that they need to join a dance class or change their address. Characters – particularly the protagonist – must develop, grow, or change in some way. They must have an arc. They should be different at the end of the story from when the reader first meets them. It’s good for me as a writer to be able to articulate that continuum of growth, that arc.

Back stories

Acting taught me of the importance of back stories. Characters – again, particularly protagonists – need to be as fully fleshed out as possible. They should have histories and there should be reasons for their personality traits, their motivations, their flaws, their relationships. As a writer, I must create histories for my characters, so they ring true to readers.

Setting

In a play, there’s a great deal of attention to setting – how characters interact with it, how it’s referred to and how it is staged. On paper, a richly-developed setting can become almost a character in itself. And how characters engage with the setting can evoke a specific tone or mood. As I travel avidly, I tend to write about places I know well and aim to capture what it is like to be in those places.

Dialogue

I have received some terrific feedback on the realism of my dialogue, which I greatly appreciate because I tend to use a lot of it and I work hard to make it sound A) true to each character and B) natural and realistic.

Writing plays in the noughties helped me develop this skill. I was teaching at a girls’ school and was seeking out plays for student productions. There’s a dearth of well-written, easy-to-stage ensemble pieces which are appropriate for high school students – especially for an all-female cast. So, I wrote plays. (They have since been published on Drama Notebook in the US and have been performed by schools in Australia, the UK and the US.)

I also hone this skill every time I work on one of my novels. Once I finish a conversation, I read it aloud as the characters (with voices – I can’t help myself), and tweak the phrasing, words, tone and inflections. My aim is to make it seem like a real conversation that I happened to capture in print.

Scenes

I follow a lot of authors on social media through Twitter, Facebook, blogs and websites, and I’ve been pleased to see more and more discussions about writing in scenes. Rather than focussing on chapters, the author focuses on a scene where something specific happens – just like in a play. A scene could comprise a whole chapter, or it might be part of one.

I realised recently that as a novelist I always write in scenes – again, perhaps a throw-back to writing plays. It is easier for me to approach the over-arching story in smaller, self-contained chunks. As a reader, I’ve seen a shift in writing towards this format. Likely you’ve seen this too – authors denote the end of a scene within a chapter with a double space or a physical page break that looks something like this:

***

Where I used to have to finish reading a whole chapter before putting a book down, I can now get to the end of a scene and feel like I have a natural place to pause.

A quick nod to grammar

I mentioned that I studied Literature as well as Theatre Arts and it was through my Lit classes that I began my love affair all things grammar. I have since taught English and worked as a professional editor. It means I can conduct decent and thorough editorial passes at my own writing before handing off to a(nother) pro (always get another pair of eyes on a manuscript).

And a quick nod to my contemporaries

A good writer reads. A good writer reads widely. A good writer reads voraciously.

Reading teaches you what to do and what not to do – how to evoke time, place, passion, fear, love, loss and the human condition – how to avoid over-using a word – how to structure a phrase, a sentence, a chapter, a thought – how to make your readers laugh aloud and weep onto the page – how to play with words and ignore the rules for effect.

I want to be a good writer – sorry, make that a great writer – so I read. Every day. Across genres. Indie authors, emerging authors, well established authors, and sometimes super famous authors.