A desk with a view

We have now been on sabbatical for nine months, and during that time Ben and I have both worked for our respective clients and I’ve written, edited and published one novel and I’m about 1/4 of the way through writing the next.

While we’ve also made time to explore the different locations we’ve visited or lived in, our working life is a big part of the sabbatical. This is a test case: can we live and work abroad for extended periods of time? We never know, this could become our new normal.

The kind of work we both do – Ben developing software, and me writing and editing content – means we need to work at desks. But ‘desk’ can be any flat surface. Ben’s current stand-up desk set up is an ironing board and the box the vacuum cleaner came in – yes, really.

Most of the time, we either use the dining table of the place we’re staying at, or we go to coffee shops. The coffee shop thing is tricky. The seats have to comfortable enough to sit on for at least a couple of hours, the WiFi has to be good, the coffee can’t suck, and there needs to be a generally good ‘vibe’.

Our fave spot so far in Porto is the cafe at the Concert Hall, which has great seats, fast WiFi and a buzz of energy from the groups of people who gather there to catch up or to work. The coffee sucks, but 3 out of 4 isn’t bad. The other day, when it was still sunny and warm, we worked in the park at a picnic table for a couple of hours – divine.

At the lake cabin, I’d often sit on the porch in an Adirondack chair (I love these) and write, stealing glances at the lake view from time to time. In Bali, my favourite place to work was on the sunlounger next to the pool.

So here are some of my fave desks with a view from the year so far.

In the park in Porto
At the park in Porto
Looking out the window in Amsterdam
Amsterdam

 

Drama Queen: Becoming a Novelist

Since I can remember, I’ve loved writing. I still have my Year 4 composition book and I was quite the short storyist (I also like to make up words). In my teens I wrote a gripping satirical piece on public toilets and started a novel (to date, still unfinished).

At university, while studying a BA in English and majoring in Literature and Theatre Arts, I wrote piercing exposes about sexism in classic novels and the sexualisation of men in Glam Rock – I know, also gripping stuff. I wrote angst-ridden monologues, which were somewhat sophomoric considering I was in my early twenties and no longer a sulking teen.

I kept a journal from age twelve, one of those small, but fat diaries with a gold lock that my eight year-old sister could easily pick. I upgraded to bigger and better journals, but stopped journalling about fifteen years ago when I realised I spent more time writing about my life than living it.

All of these writings and musings are where I cut my teeth as an author, but the one thing that has served me best as an author is Drama – my time studying performance and plays, my time on stage, and my time as a Drama teacher.

Drama taught me invaluable lessons I draw on every time I write.

Character motivations

Characters must have a motivation. It’s that simple. They must want something, even if they don’t (yet) know that they want it. Characters can also be their own antagonist – just think of how many people you know who self-sabotage. Any time my writing stalls, I ask myself, what does this character want and what will they do to get it?

Character arcs

Not only do characters need a motivation, they must move – and I don’t mean that they need to join a dance class or change their address. Characters – particularly the protagonist – must develop, grow, or change in some way. They must have an arc. They should be different at the end of the story from when the reader first meets them. It’s good for me as a writer to be able to articulate that continuum of growth, that arc.

Back stories

Acting taught me of the importance of back stories. Characters – again, particularly protagonists – need to be as fully fleshed out as possible. They should have histories and there should be reasons for their personality traits, their motivations, their flaws, their relationships. As a writer, I must create histories for my characters, so they ring true to readers.

Setting

In a play, there’s a great deal of attention to setting – how characters interact with it, how it’s referred to and how it is staged. On paper, a richly-developed setting can become almost a character in itself. And how characters engage with the setting can evoke a specific tone or mood. As I travel avidly, I tend to write about places I know well and aim to capture what it is like to be in those places.

Dialogue

I have received some terrific feedback on the realism of my dialogue, which I greatly appreciate because I tend to use a lot of it and I work hard to make it sound A) true to each character and B) natural and realistic.

Writing plays in the noughties helped me develop this skill. I was teaching at a girls’ school and was seeking out plays for student productions. There’s a dearth of well-written, easy-to-stage ensemble pieces which are appropriate for high school students – especially for an all-female cast. So, I wrote plays. (They have since been published on Drama Notebook in the US and have been performed by schools in Australia, the UK and the US.)

I also hone this skill every time I work on one of my novels. Once I finish a conversation, I read it aloud as the characters (with voices – I can’t help myself), and tweak the phrasing, words, tone and inflections. My aim is to make it seem like a real conversation that I happened to capture in print.

Scenes

I follow a lot of authors on social media through Twitter, Facebook, blogs and websites, and I’ve been pleased to see more and more discussions about writing in scenes. Rather than focussing on chapters, the author focuses on a scene where something specific happens – just like in a play. A scene could comprise a whole chapter, or it might be part of one.

I realised recently that as a novelist I always write in scenes – again, perhaps a throw-back to writing plays. It is easier for me to approach the over-arching story in smaller, self-contained chunks. As a reader, I’ve seen a shift in writing towards this format. Likely you’ve seen this too – authors denote the end of a scene within a chapter with a double space or a physical page break that looks something like this:

***

Where I used to have to finish reading a whole chapter before putting a book down, I can now get to the end of a scene and feel like I have a natural place to pause.

A quick nod to grammar

I mentioned that I studied Literature as well as Theatre Arts and it was through my Lit classes that I began my love affair all things grammar. I have since taught English and worked as a professional editor. It means I can conduct decent and thorough editorial passes at my own writing before handing off to a(nother) pro (always get another pair of eyes on a manuscript).

And a quick nod to my contemporaries

A good writer reads. A good writer reads widely. A good writer reads voraciously.

Reading teaches you what to do and what not to do – how to evoke time, place, passion, fear, love, loss and the human condition – how to avoid over-using a word – how to structure a phrase, a sentence, a chapter, a thought – how to make your readers laugh aloud and weep onto the page – how to play with words and ignore the rules for effect.

I want to be a good writer – sorry, make that a great writer – so I read. Every day. Across genres. Indie authors, emerging authors, well established authors, and sometimes super famous authors.

 

 

 

 

 

 

Mid-way through our mid-career sabbatical

 

MVIMG_20180526_102249.jpg
Last day in Seattle

At the end of 2017, I posted about our 2018 sabbatical. Ben and I embarked at the beginning of February, so last week marked the mid-point of our year of living abroad. In that time, we have visited friends and family, explored new locations, lived life like a local and have worked remotely.

Here are some of my reflections and lessons learned from the mid-point of our sabbatical.

img_20180717_142838
Exploring northern MN with the Doctor

Home (really is) is a state of mind

Just before we left the US to begin our UK/EU stint, I fell very ill and had to spend a night in hospital. After 40 hours in a hospital gown, my vitals being checked every two hours, and being tethered to an IV stand, all I wanted to do was go home. At that stage in our travels, home was Ben’s grandmother’s house, and when I arrived back there – still, weak, tired, and yet to fully recover – I was ecstatic. I was home.

Home has been various places in our travels. With my bed count for the year sitting at 27 (Ben’s is 26, because he hasn’t sleep in a hospital bed), home really has become a state of mind. That’s not to say that all of those beds felt like home; it means that when we have taken side trips for a few days and returned to our longer-term accommodation, I have had an overwhelming sense of returning home – and that feeling is marvelous.

So, at our mid-way point I continue to subscribe to the ‘wherever I lay my head’ philosophy I posted about here.

mvimg_20180807_175615
Chicago with our dear friend from Bali days, Kelley

It’s possible to get a lot done while you’re travelling

When we meet new people or catch up with family and friends, we invariably end up discussing the ins and outs of sabbatical life. The most frequent clarification during these conversations is that taking a sabbatical is not ‘being on holiday’ for a year.

Ben and I both have our own companies in Australia and consult for clients – Ben in an ongoing capacity and me on project-based work. There have been many weeks where we’ve worked full-time, or close to it. This type of work suits us both, as we can carve out the time to do it around our larger plans, we can take advantage of coffee-shop WiFi, we both enjoy working in a variety of environments, and – to be frank – it helps fund this year abroad.

Additionally, since we left Melbourne, I have written and published my second novel. And I am soon to start my third! I love writing, I love writing novels, and I love writing ‘on the road’. Plus, each new location, each new friend, each conversation with a loved one, each excursion and adventure could be the kernel of an idea for book #4 – and the ones after that.

img_20180809_200447
Meeting my favourite author, Lindsey Kelk (Birmingham, UK)

Things are just…things

When we left Bali in May, we left behind many of the things we’d bought to make Bali life a little easier – storage containers, coat hangers, food staples, Costco-sized toiletries. We did the same thing when we left Minnesota, with the addition of some red wine glasses, a life-time supply of sunflower seeds we barely made a dent in, and a yoga mat. We also filled a large bag with summer clothes which we dropped into a charity donation bin. Clothes I previously had ‘loved’ were tossed aside without any remorse.

It’s just stuff – and we’re travelling light.

00100dPORTRAIT_00100_BURST20180813125611947_COVER
With my nephew, Alexander (UK)

It’s going fast

I truly cannot believe we’re half-way. Since leaving Melbourne, we’ve been to New Zealand, two other states in Australia, Bali, three states in the US, and the UK. Next week, we’re off to Ireland and we are starting to firm up our plans for Scotland, Amsterdam, Paris and Portugal.

I know that before we know it, we will be on our way back to Melbourne for Australia Day 2019 (January 26). That date is important, because Ben will be attending a citizenship ceremony to become a fully-fledged, dinky-di Aussie (I am so proud).

The speed with which this year away is rocketing by, means that we must continue to seek out and enjoy the small pleasures. We must continue to take every opportunity to explore, live like a local, see people who are dear to us, meet new friends, and accomplish great things.

Because, ultimately, that’s what this year is about – living life to the fullest.

IMG_20180331_165018
Secret Beach Day Trip (Bali)

 

Book giveaway!

Hello everyone!

To celebrate the release of my second book in the ‘Someone’ series, I Think I Met Someone, I am giving away book one, You Might Meet Someone, for FREE on Amazon (Kindle) in all regions until Wednesday July 25. Yes, free!!!

Here’s a snapshot – it’s a romcom with a travel theme: Sarah’s taking herself on holiday – not looking for love, but for herself. Join her for a heartfelt, fun and romantic romp in the Greek Islands.

Download your FREE copy before Wednesday! Links below.

You Might Meet Someone Cover Art DIGITAL

Amazon US | Amazon UK | Amazon Australia

Also available in all other geographies.

How to write a sequel

Maker:L,Date:2017-9-28,Ver:5,Lens:Kan03,Act:Kan02,E-Y

I originally posted this while writing the follow up to One Summer in Santorini. It is 14 months on, and I have edited this post accordingly.

I begin this post by planting my tongue firmly in my cheek. I would love to say that I’ve unlocked the secret, that I’ve discovered the Holy Grail of writing, that I’ve figured it out! In truth, I have discovered a kind of secret sauce for myself. Other writers may benefit from my ‘process’, so if anything I say resonates, have it – it’s yours.

Reflect on book one

I wrote book one, One Summer in Santorini, for several reasons:

  • My previous agent told me that the book I was writing at the time was my 5th book, not my 1st – too many characters and a multi-narrative. “You’re not Liane Moriarty,” he said. “Yet,” he added. He then challenged me to write a simple, linear narrative. Which I did.
  • It was a love letter to my partner, Ben. We met in Greece and I borrowed (rather heavily) from our story for the book  – the first half anyway. When I introduced a love triangle I was well into the realm of fiction.
  • It was a love letter to Greece. Greece is a place where you go to fall back in love with yourself – and with being alive. It challenges you to participate in your own life. If you haven’t been, go.
  • I had some demons to exorcise. I was single for half my twenties and most of my thirties. And by ‘single’ I mean I dated awful men who I changed or hid myself to be with. I wanted to write about a woman who calls an end to that, who won’t compromise herself again to be with someone.

Make time

I wrote book one on weekends and on evenings after working at a full-time job where I spent the bulk of my time writing. It was often hard to come home (usually post gym or errands) and sit down and write for myself. I did it, but it took a couple of years.

For the sequel, I had time. In 2018, we were on a year-long sabbatical. I had contract work, but I could dedicate significant chunks of time to writing. I started writing the sequel in February while we were still in Australia and I hit 10,000 words. I was reasonably happy with that progress, but my goal in Bali was to up the pace. After 8 weeks there, I finished the book at about 95000 words.

Celebrate the milestones

Every writer gets to decide what each milestone is. I celebrated when I got through an emotional part (if the writing left me sobbing or laughing out loud – milestone!), or I finished a chapter. The sequel is written in parts – and finishing each one was a milestone. Celebrating, by the way, included sharing on social media, pedicures, cocktails, massages, and congratulatory hugs from Ben.

The secret sauce

With book one, I had to knuckle down. I had to carve out time, and often had to force myself to sit down and write or edit or proofread. I had to self-impose deadlines and get others to hold me to account.

Being in Bali, with the luxury of time, the portability of a laptop, and being inspired by my surroundings, I had an absolute ball writing the sequel. And I worked faster, which meant there was continuity in the writing – the style, the voice, the narrative, character development. I had to work laboriously at that in the editing process of One Summer in Santorini, because I wrote it over such a long period of time. With the sequel, I’ve made the editing process easier on myself, just by writing over such a concentrated amount of time.

Most importantly, though, I let the story come to me.

This is the hardest part to explain, and is still my process. I start with only a rough outline, and I have no idea how many chapters it will take to tell the story. For the sequel, I didn’t even know how it ended when I started writing it.

When I got stuck, or I didn’t know what would come, I stepped away – sometimes for a few hours, sometimes days, and when I was doing something else – running, cooking, dodging scooters on the road – it came, the next part of the story. Then I would sit and write.

I’m so grateful that we made this decision to pack up our lives, sell up our stuff, leave our jobs and to live around the world. It was my special not-so-secret-anymore sauce.

While on sabbatical, I also wrote another follow up to One Summer in Santorini about Sarah’s sister, Cat. This book will be out early next year with the sequel to follow.

I Think I Met Someone (Book 2 in the ‘Someone’ Series)

The sequel to You Might Meet Someone picks up Sarah’s story a few months after her Greek adventure.

Here’s the preface…

“Have a great time!” my best friend, Lindsey, called as she climbed into the driver’s seat of her car.

“I hope he shows up,” said her husband, Chris, grinning at me through the passenger window. Chris always teased me. He was the brother I always knew I never wanted.

“Ha, ha. You’re hilarious.”

Lins leaned across Chris, swatting at him as though he were a naughty fly. “Ignore my horrendous husband.” Chris grinned at me. “He’ll be there. And you’ll have a ball.”

I nodded, clinging to her words of encouragement. I needed them.

“We love you,” she said with a smile. Chris winked at me.

“Love you back,” I said as I waved goodbye. The car pulled away from the curb and I took a moment to catch my breath.

To be honest, I was only mildly terrified that he wouldn’t show up, and that I’d be sitting in a hotel room half-way across the world by myself. Self-doubt can be such a buzz-kill, especially when you’re about to fly somewhere you’ve never been before, to meet up with someone you haven’t seen in months.

What if he didn’t show up? Or, what if he did, but it wasn’t the same between us? Oh my god! What was I doing?

The hardest part is getting published

Writing a novel may seem like a big task. It is.

Start to finish, including chapter re-writes, incorporating feedback from trusted editors and reviewing the whole thing 3 times over, You Might Just Meet Someone took about 2 years. That’s 2 years alternating between intense labouring and equally intense procrastination.

You see, I love to write, but I don’t always feel like doing it. The majority of my job is writing – documents, training materials, reviews, editing – so when I get home from work, sometimes I don’t want to sit in front of another computer and do more writing. And of course when I get in the habit of browsing Reddit, watching Netflix or reading instead of writing regularly, it is easy to ignore the niggling voice in my head that says, “Sandy, this novel is not going to write itself.”

Well, it’s done now, and I have already started the outline for the sequel, but harder than writing and editing it, is getting it published.

Just like a novel doesn’t write itself, no one is going to knock on my door and say, “hello, I’m looking for a novel to publish. Do you happen to have one lying about in a drawer somewhere?”

No! It’s up to me. I have to get the word out!!

I need a publisher, or an agent, or both. Whichever one I get first will (probably) make it easier to get the other one, so I am working on getting a publisher and an agent at the same time. It’s a bit chicken and egg, really.

And you may not know this, but an aspiring author needs a brilliant book proposal, one that can be adapted for each potential publisher and agent, because they all want slightly different things.

Essentially, I need a detailed synopsis, a shorter synopsis, and a really brief synopsis – something that might appear on the back cover. Plus I need an engaging author’s bio which highlights my brilliance and my bankability, and to identify the target audience as well as competing titles – these are the books mine will sit next to on the shelf. Publishers and agents need to know what books are similar to mine – and in what way – as well as how mine is distinctive from other books.

I learned all of this from two incredibly brilliant women, Kerry and Jen from the Business of Books based out of Seattle. Between them they have written (and published) 40+ books, and because they both worked as publishers before they became authors they really know the biz of books. And they share what they know.

Publishing is a business and if I am going to make it my business, I still have work to do. Now begins the hard part.

 

 

 

You Might Just Meet Someone Chapter Two

On the flight to Athens, I was stuck in the middle seat between a husband and wife, one who wanted to sit by the window and the other who wanted the aisle. They spent the entire flight talking across me as though I was some sort of aeronautical soft furnishing. When I politely asked if they wanted to sit together, they scoffed. “Oh no, Love, we’re perfectly fine sitting apart.” I wasn’t perfectly fine. I was developing a tension headache, but they didn’t seem to care about that.

I figured if I was going to survive jet-lag, fatigue and my growing frustration with my seat-mates without having some sort of mid-air meltdown, I was going to need more tea. Tea calms me, tea revitalises me, tea is a miracle drink – tea drinkers will understand what I mean. Thank goodness it was a British Airways flight, because I knew they’d have the good stuff – proper English tea. I rang my call button three times during a four-hour flight and every time was to ask for more tea. This of course meant I had to pee twice, but I considered those few moments of silence a reprieve from Douglas and Sharon’s non-stop duologue.

By the time we landed at Athens airport, I knew every detail about their ungrateful adult children, their annoying neighbours – on both sides – and their suspicion of the newly re-elected government. Sure, I like to have a good whinge about things from time to time, like long-haul flying for instance, but these two took it to another level. I felt like writing to the IOC and suggesting that they add complaining to the Olympics. Maybe the Poms could finally win a haul of gold medals.

I made a point of losing them as soon as we got inside the terminal. I leapfrogged around other English tourists, striding purposefully towards immigration where I discovered two things: a massive queue and a slew of ridiculously handsome Greek men in uniforms. Apparently, the Greek government had hired a flock of Adonises – or is the plural, Adoni? – to man the immigration booths. This discovery made the first one much less annoying, and I waited patiently in line while appreciating some of Greece’s natural wonders. When it was my turn I handed my passport over and endured the handsome man’s scrutiny as he weighed up the Sarah in my photograph – slicked-back hair, no makeup and glasses – with the goddess in front of him.
As I met his gaze, I was glad I had kept the cabbie waiting a few minutes so I could tame my wayward curls into the semblance of a style and put on some blush and mascara. It’s not like I thought the immigration guy and I were going to run away together, but at least I didn’t look like a complete hag. My heart jumped a little at the sound of the Greek entry stamp being added to my passport. Then it jumped again when the Adonis smiled and welcomed me to his country. Moments in and I was already in love with Greece.

 

After being so warmly welcomed into the country, I found baggage claim, hauled my backpack off the baggage carousel, silently grateful that it had made the trip along with me, and headed through the doors into the transit lounge. The first thing that struck me was how hot it was. The second was the amount of smoke in the air; it looked like the transit lounge was on fire. Maybe I’d been a little hasty in declaring my love for Greece.

I mean the Greeks invented the wheel for crying out loud – and democracy! How had they not discovered air-conditioning or passed laws to ban smoking inside? I stifled a cough and peered through the haze. Spying an empty chair in a far corner, I made a beeline to stake my claim, which would have been easier had I not been lugging my luggage. I was too late. A different middle-aged British couple sat their duty free bags down on my seat, and then stood next to it complaining about how hot it was. Olympic-level whinging strikes again! Oh you dastardly Poms.

Changing directions, I headed to the nearest empty piece of floor. I plonked down my bag, and plonked myself down next to it, already starting to hate it a little. Why had I packed so much? Did I really need three bikinis?

I was also carrying a small leather backpack, which was stylish enough to be my handbag, and practical enough to be my day-pack. It had been a splurge right before I left for my trip, along with my duty-free Prada sunglasses. I regarded it lovingly, not caring if my backpack got jealous. Deep red-brown leather, brass clasps. It really was a thing of beauty. And, importantly, a handbag didn’t cheat on you with a slut from yoga class.

Four hours later – why did I think that a Greek island-hopper would depart on time? – I was seated in a very small plane next to a very large man who seemed to be turning into Kermit the Frog before my eyes.

“Sorry, ma’am” he said. Texan, I thought, identifying his origin from the two words – I’m talented like that. “I don’t usually fly on such small planes. I’m afraid I may need to get up to use the restroom.” Even in the throes of the worst air sickness I had ever witnessed, he was using his manners. Texans are so polite.

“Of course!” I unbuckled my seatbelt and stood in the tiny aisle. “How about I sit near the window, just in case you need to get up again?”

He nodded and then rushed up the aisle to the only bathroom on board. Poor man. At least it was a short flight. As I strapped myself into the window seat, I heard a chorus of ‘Oooohs’ from the other passengers. I looked out my window as the plane banked and there it was, Santorini, a crescent of rusty land in a sea of deep blue. It was stunning. I added my own involuntary ‘Oh’ to the voices of the others, as I felt a broad, relaxed smile spread across my lips.

“Sorry ‘bout that, ma’am,” I heard over my shoulder as the Texan sat down.

“Look,” I said, leaning back so he could see past me.

“That’s mighty pretty.”

I nodded in reply.

In just over a day I’d gone from the frenzy of three international airports to an idyllic island in the middle of the Aegean Sea. As we arced across Santorini on our approach to the airport, I could barely wrap my brain around how beautiful it was. The rugged red land contrasted with the brilliant blue of the sky and the stark white and creamy pastels of the buildings. It was so perfect, it took my breath away. By the time we landed I was practically hyperventilating.

Santorini’s airport terminal was kind of kitschy; it looked a Vegas hotel circa the 1970s. Not that I’d hung out in Vegas in the 70s – I was barely even alive then – but I’d seen enough movies to get that 70s vibe from the terminal. Inside it was cool and clean – that’s cool as in temperature, rather than hipness, although it had a little of that too. I noticed that everyone moved at a more leisurely pace than they did in the constant chaos of Sydney, as though someone had slowed a video playback just ever-so-slightly. I liked it.

My bag seemed to have gained even more weight in transit. I hefted it from the baggage carousel and said goodbye to the nice Texan. Emerging into sunshine, I waited in line for a taxi. And I didn’t mind – the waiting, that is. The island was already calming me. While I waited, I breathed in deep breaths of Santorini’s clean, briny air. It was the exact opposite of Athens’ air – or London’s for that matter.

Before I knew it, it was my turn. The taxi pulled up, the taxi driver got out and took my bag, stashing it in the boot, and I climbed into the backseat, giving him the name of the hotel I was staying at. These were all normal activities. And then we took off.

My state of Zen disappeared in an instant. Apparently, the taxi driver hadn’t gotten the memo about chilled-out island life.

The ride from the airport to the hotel was nothing less than a harrowing experience as we tore down narrow, winding dirt roads doing Mach II. The rugged landscape suddenly lost its appeal. In a crappy car going too fast, it felt more like I was in a car rally than on vacation. Only an hour before I’d been sitting in a teeny, tiny plane crossing the sea, and I’d felt much safer then, than I did in the back of that cab.

We pulled up at the hotel and I thanked Zeus that I’d arrived in one piece. I begrudgingly paid the cabbie and climbed out of the car. He retrieved my bag from the boot and before I knew it, he was gone, speeding off to the next fare, a cloud of dust in his wake.

I stood for a moment, regarding my location and catching my breath. I was in the heart of Fira, and with the amount of whitewash I could see, there was no mistaking that I was in Greece. I did a little self-congratulatory dance to celebrate being there. Greece!

Around me people ambled along the road, stopping to have leisurely and lively conversations with their neighbours. Across the road there were congregations at a handful of tavernas, each indistinguishable from the next to my uneducated eye. People sat at tables playing chess and cards, and smoking. Some drank coffee, some sipped clear liquid from tiny glasses. Ouzo, most likely. Laughter and chatter filled the air around me.

It occurred to me that it was the middle of the afternoon on a Thursday. Didn’t these people have jobs? Maybe the whole town was on vacation. Like I was. I was on vacation. The realisation hit me again, a wave of wonderfulness. The giddy dance took over again without me having to conjure it.

I picked up my bag from the dusty curb and walked up the path of my hotel. Inside, the small lobby was cool and the scent of bougainvillea wafted in from an open window. A lovely woman, who spoke little English and had a warm smile, greeted me at the front desk. After a simple check in – I showed her my passport and she gave me a room key – she led me to my small, neat room. It was basic, but I didn’t need anything more. I was only staying for one night.

It did smell slightly like a toilet, but I’d been to Greece enough times in my touring days to expect that. The Greeks don’t flush toilet paper; it goes into the little bin next to the toilet. Just like air-conditioning and not smoking inside, some modern practices had escaped the modern Greeks. It meant that many hotel rooms smelled just like mine. It was a minor blip. I’d survive.

I wouldn’t, however, survive much longer if I didn’t eat; I was dangerously close to starvation. Well, not actual starvation, but my appetite was definitely robust. Two packets of airplane biscuits and a gallon of tea did not a balanced diet make. And especially not when there was Greek food all around me just waiting to be eaten.

I stashed some valuables in my room safe and packed my leather bag for dinner followed by an evening of exploring. Leaving the hotel, I eyed the tavernas I’d seen across the road on arrival. The crowds in two of them were thinning out, as though the jobless folks suddenly had somewhere to be. At the third one, chess sets and ashtrays were being replaced with platters of food, and it looked like it was filling up with local diners. I consider that good sign whenever I travel, because locals tend not to go out for crappy food.

I crossed the road and took a seat in the taverna at a table for two near the kitchen. The smells coming out of there were unbelievable. My stomach grumbled with appreciation. A waiter appeared and stood patiently while I tortured him with my terrible Greek. I started with ‘kalimera’ – good morning – before correcting myself. “No, sorry, kalispera.” He just smiled and spoke to me in English.

“Good evening. I am Dimitri.”

“Hello Dimitri. I need horiatiki,” I said, not even looking at the menu. I knew it would be on there, because it’s what we non-Greeks call a Greek salad. “And lamb, do you have lamb?” He gave me a funny look. Of course they had lamb. “And giant beans.” I love giant beans. It’s a dish, by the way. I mean, the beans are big, but it’s essentially a stew made with beans. It’s the second-best thing in the world after horiatiki.

Dimitri gave me a smile and a nod, and then he offered me some retsina to go with my dinner. Greek wine. I declined. I am what you might call a wine lover, and as a wine lover I can’t really abide retsina. “I’ll have a Mythos, parakalo.” Greek beer – much more drinkable.

The salad came to the table within minutes and it was truly a thing of beauty. It looked like it belonged on the cover of a foodie magazine and it smelled incredible. I piled up my fork to get the perfect first bite. As soon as it hit my mouth I groaned with pleasure, half-expecting to hear, ‘I’ll have what she’s having,’ from the next table.

I need to explain something important.

The Greeks grow the best tomatoes in the world. And I know that I exaggerate sometimes, but I mean IN THE WORLD. Add to the best tomatoes in the world, some freshly-made feta, super virginal olive oil, fresh fragrant oregano, Kalamata olives grown in luscious Greek sunshine, and all the other bits of goodness that go into a horiatiki, and you have the one thing I could eat every day for the rest of eternity.

The lamb and beans arrived next and the lamb was so tender I could probably have cut just by staring at it. The giant beans were particularly huge and the sauce was rich and tangy. I glanced around me as I finished off all three plates. The taverna was now full – a few travellers like me, but mostly locals, who obviously knew where the good stuff was.

The food had impressed me and then the bill arrived. I thought it was wrong, but Dimitri assured me that 14 Euros was correct – for three plates of food and a beer. I wished I was staying on Santorini longer; I’d have happily eaten at that taverna every night for weeks.

When I’d planned the trip, everything I read about Santorini mentioned the sunset to end all sunsets at Oia, which is a tiny town perched on the northern point of Santorini’s crescent. With only 24 hours on the island, I’d added the Oia sunset to my list, and when I mentioned it to Dimitri after I paid my bill, he kindly he wrote down directions – in Greek and English. Smart.

Armed with my mud map and a full belly, I set off from the taverna to find the local bus station and the bus to Oia. It wasn’t difficult – Dimitri’s instructions were perfect – but to call it a bus station would have been generous. It was a dusty square filled with dusty buses.

I bought a ticket from a man who sat inside a grubby booth by holding up one finger and saying ‘Oia.’ He had a cigarette dangling precariously from his mouth, which he managed to inhale from without using his hands. Talented. I picked my bus out of the line-up – using Dimitri’s directions again – and climbed aboard.

As I waited for the bus to leave, I watched the stream of people passing through the square. I noticed a tall guy in a baseball cap, hefting a large duffle bag and trying to get directions from the passing locals. No one was stopping and he seemed frustrated. American. I could pick an American out at a hundred paces. He was a pretty cute American too.

He was tall – over six foot, I guessed – dressed in long shorts and a T-shirt. The T-shirt was just fitted enough to see that he had a lean, muscular body. Dark brown curls peeked out from the cap, and although he was wearing sunglasses and I couldn’t see his eyes, he had a general ‘good-looking’ thing going on. I would have stepped off the bus to help him had I not already bought a bus ticket to the sunset to end all sunsets. Not that I knew my way around any better than he seemed to, but he looked like he could use a friendly face.

The bus lurched forward – I hadn’t even noticed the driver get on – and my last glimpse of the tall, cute American was him throwing his duffle on the ground and sitting on it dejectedly. Poor guy. I promised myself that if he was still there when I got back, I’d go talk to him.

The sunset was beautiful by the way. I don’t know that I’d call it the best in the world – I mean, I’m from Australia and we do sunsets spectacularly well there – but I enjoyed it, especially the atmosphere. Within the town of Oia, smooth, curved, whitewashed walls of some houses contrasted with rugged stone walls of others. Walkways and steps separated the homes, and yards were marked with either rock walls or white picket fences. In the warm milky light, whitewash took on the colour of cream. It was a quaint and quintessentially Greek town.

I found a little spot where I could sit on one of the steps and gazed westward, taking it all in. The cooling evening air was deliciously fragrant, floral notes mixed with sea air. I took a slow, deep breath. Around me were hundreds of people, and the atmosphere was abuzz with chatter while we waited for the sun to set. Then in a single unspoken moment the crowd quietened; it was time. The spectacle changed second by second, gold slipping into amber, then crimson, then inky purples and blues.

I could almost feel my heartbeat slowing down.

When the sun disappeared completely and the last rays of light retreated, the crowd applauded as though we were at the symphony and the concerto had just ended. I clapped along with those around me. When in Santorini…

Neil would have loved that, I thought.

What?! Where the hell did that come from? Who cared what Neil would or wouldn’t love? I didn’t. And I certainly didn’t need my mind ambushing me with such disturbing, random thoughts! All of the serenity I had felt as I watched the sun seep below the horizon vanished instantly. Bloody Neil. I got up, dusted myself off and followed the others up the steps and onto the road back to Santorini.

Thankfully, a bus was waiting at the same place we’d been dropped off, and I climbed aboard along with about eighty other people. No seat for me this time – it was standing room only – but the tightly-packed group was in good spirits. As we jostled along the bumpy road back into Fira, I held on tightly to a hand rail and tried to shake residual thoughts of Neil from my brain. To distract myself, I trained my ears to the conversations around me, listening to the various languages and accents.

I was glad when the bus depot appeared in the glow from the headlights. Exhaustion had set in – both physical and emotional – and I desperately wanted sleep. I stepped off the bus, oriented myself and set off for my hotel. And yes, I forgot all about the cute American.

Back in my room, I locked the door behind me, slipped off my already travel-worn clothes and put on my pyjamas. Still concentrating on not thinking about Neil, I focussed instead on the next day, the day I’d start the sailing trip, and damn it if those wretched nerves didn’t come flooding back.

What if I don’t like anyone on the trip? What if they don’t like me? What if this whole thing is a complete disaster?

“Shut up, Sarah,” I said aloud. I was annoyed with myself. I’d had a good dinner, seen a nice sunset, and suddenly random thoughts of doom and gloom were sending me into a spiral. I had to change tack.

“You need to get organised, Sarah,” I said out loud, and I was right. I love getting organised; it is to me what meditation is to other people. I knew that if I put things in order, I’d exorcise the demon nerves. It’s my tried and tested method of crisis management, particularly if the crisis is made-up.

Except that when I emptied my bag out onto my bed, I made a sickening discovery. My wallet was gone. I frantically ran my hand around the inside of the bag, but it was definitely empty. I sifted through all the things on the bed – hat, diary, pen, camera, lip balm. No wallet.

It was gone. Suddenly, the crisis was real and not drummed up from my imagination.

But how had I lost my wallet?

I reviewed the past couple of hours out loud. “I had it at the taverna, because I paid for dinner. Maybe I left it there? No, because I also paid for the bus ticket and that was after dinner. Do I remember putting my wallet back in my bag? Yes. Did I have it when I took my camera out of my bag in Oia? I think I remember seeing it then.”

That meant that I’d lost it on the bus ride back. But I hadn’t taken it out of my bag. I hadn’t even opened my bag. Oh my god! Someone stole my wallet from my bag. While it was on my back! I started crying as the panic kicked in. “Fuck!”

Realising I was wringing my hands, I stopped and shook them out. “Okay, think Sarah. What was in the wallet? What do you need to do?” I willed myself to breathe, slowly, consciously, in, out. I stood in the middle of my room and closed my eyes. The safe! Of course, I had put valuables in the safe before I went out. I rushed to open it.

I took out a credit card, a wad of cash and – thank god – my passport. That meant I’d lost my other credit card, about 20 Euros and my driver’s license. “Shit.” I was going to need my driver’s license to rent scooters on the islands. Well, maybe they would let me rent one with just my passport. It was Greece after all, and they weren’t exactly sticklers for that sort of thing. At least the thief hadn’t gotten my passport.

I tried to remember who was around me on the bus, but I hadn’t registered any faces. We’d all been packed in there so tightly and I’d watched out the front window of the bus most of the trip. I sighed and sat on the bed. I needed to call my bank in Australia and cancel the credit card. I was grateful that although my room smelled like a toilet, it had a phone.

After two aborted attempts to get the international operator to put through a collect call to my bank, I finally spoke to a person who could cancel the card and send me a replacement – to London, where I wouldn’t be until most of my travelling was over. At least that was something, I supposed. I did have my back-up credit card, the one with the ridiculously exorbitant fees for taking out cash and spending in foreign currencies, but at least I wasn’t completely stranded.

I hung up the phone and laid back on my bed. Exhaustion had devolved into full-blown fatigue. I flicked off the lamp and watched as the light seeping in from the street outside danced across the ceiling. My body was exhausted, but my mind was on high alert. I wanted sleep, but instead I lay there for a long time wondering what else could go wrong. Sarah’s travel curse had struck again.

 

I woke suddenly, not knowing where I was, and smacked the crap out of my travel alarm to shut it up. God, I hated that thing. I looked around the room and recognition seeped into my fuzzy brain. I was in Santorini. A smile alighted on my face.

Then I remembered I had been robbed the night before and the smile vanished.

It had been a restless night. Falling asleep had taken forever. And then there was the nightmare. I was lying in my bed in Sydney in the middle of the night and backpackers were robbing my flat while I pretended to be asleep. No prizes for guessing why I dreamed that.

Dread washed over me as I recalled the details of the dream, and then again as I remembered the moment I’d emptied my bag onto my bed the night before. “Oh Sarah!” I admonished myself out loud. “Put your big-girl knickers on and get over it. Everything is going to be fine from now on!”

Surprisingly, giving myself a good talking to was actually effective. Ignoring the fact that I was now talking to myself on a regular basis, I threw back the covers, showered in my smelly bathroom, and got dressed in a flowery blue and white skirt and a white top with spaghetti straps. I had a big day ahead of me and some bad luck to turn around, and I wanted to look good. Plus, the better I looked, the better I felt. What is it that they say? Fake it ‘til you make it?

I tried to make some sense of the mass of curls on my head, but they refused to behave. Sometimes my curls want their own way, and sometimes I just have to let them have it. I opted for what I hoped was a sexy-messy ponytail and called it good. Then I looked in the mirror and told myself again that everything was going to be fine. I’d spend the morning sightseeing, have something to eat, and then meet up with the people from the sailing trip in the afternoon.

An hour later, I’d had a basic breakfast on the go, a sweet bun of some sort, and was deep in the heart of Fira’s labyrinth of walkways, exploring. Okay truth be told, I was shopping. Not that I’m one of those women who lives to shop or anything, but there was something cathartic about buying myself a new wallet. I also found a beautiful beaded bracelet for Cat. But wanting to see a bit more of Fira than the insides of shops, I stowed my purchases in my beloved bag and escaped the rabbit warren of stores.

There’s a walkway that runs along the ridge of Fira like a spine, and I followed it south. A whitewashed campanile and cupola soon stood out high above the tops of other buildings, and in moments I was standing in front of an enormous church. Its imposing façade comprised a dozen archways either side of a long covered walkway.

From touring days, I knew not to go into a church in Greece with bare arms, as it’s considered disrespectful. I didn’t have anything with me to cover mine, so I had to settle for admiring it from the outside. It didn’t take that long. It was big, it was impressive and it was white. It was also a church and being in Greece, I was bound to see another hundred of them before I left the country.

Even more spectacular than the architecture was the view behind me of the caldera. I walked over and cautiously perched on the low, wide stone wall – also whitewashed. I peered out over the town, marvelling at how it clung fearlessly to the cliff face. It was an exquisite sight.

The town below was dotted with several bright blue pools, each surrounded by beach umbrellas. I could see white-clad waiters making the rounds to sun-loungers, delivering cocktails. Rich people, I thought. That’s where the rich people stay.

At the bottom of the cliff, I could make out the old port. From there, a stream of donkeys ferried people back up to the top of the zigzag staircase. For a moment I considered a donkey ride, but then I looked down at my outfit and decided against it.

“Where are you from?” I heard from behind me.

Somehow I knew that the voice was directed at me. I turned and saw that its source was an extremely handsome man in his late forties, sitting on a bench about fifteen feet away. He was wearing a linen suit and smoking a slim cigar, his whole look a throwback to a more elegant era. He regarded me while he drew from the cigar, and for some reason I felt compelled to answer him. Maybe it was because of his eyes, which crinkled around the corners. I liked crinkling eyes.

“Australia.”

“Of Greek ancestry?” I couldn’t place his accent, and I could always place the accent, but I guessed that it was somewhere in Europe.

I felt a twinge in my stomach – the good kind – as he watched me.

“No.” It wasn’t the first time I had been asked that. Greek, Spanish, Italian, Maltese, Lebanese. I always considered questions about my heritage to be compliments. People didn’t ask you if you had a specific heritage if they meant to insult you. Imagine someone saying, “Are you Greek, because they’re all so ugly, just like you?”

He smiled, and the crinkles intensified along with my twinge. I regarded him back, somehow flooded with self-confidence. “You’re very beautiful,” said the extremely handsome man.

I tossed my sexy-messy ponytail and allowed a smile to play across my lips. “Thank you,” I replied, not flinching under his deliberate stare. This was some advanced flirting. I was quite proud of myself.

“Have lunch with me.” It was a statement, not a question. Smooth.

“Maybe,” I said, as though I was actually considering it.

“I know a very nice place around the corner. Excellent seafood. Ellis, it’s called. We’ll eat, have some wine. And you’ll tell me where those beautiful looks come from.”

My brain had a quick-fire discussion with itself. Stay? Go? Skip lunch altogether and spend the afternoon making love with this beautiful stranger? I was flattered – of course I was – I’m a human woman with a pulse and he was gorgeous. Reason won out, however. It would be time to meet my tour group soon.

Or maybe I was hiding behind reason, my confidence merely bravado.

I started to walk away, but called over my shoulder, “Perhaps.” I wanted to leave it open in case I got around the corner and changed my mind. He was super sexy.

“Two o’clock. See you there.”

And then I did something incredibly cool. I faced him, and walking slowly backwards blew him a kiss. Then I turned and walked away. How awesome was that? I’d never done anything like that – well, not for a long time, not since touring days, but that was a whole different Sarah. It was fun to tap into the sassy girl who once got up to no good. I hoped that he’d watched me go. There was a little pep in my step as I continued my meandering exploration of the town.

When two o’clock came, I was not having a leisurely seafood lunch with a silver fox who wore a linen – and I wasn’t off somewhere making love with him either. Instead, I was back at Fira’s not-so-charming bus depot. This time, however, I had my backpack as well as my little bag, and no instructions written in Greek. All I knew was that I needed to get to Vlychada Marina within the next couple of hours to meet my sailing group.

After a false start – I got on the wrong bus and only realised when I heard all the tourists around me talking about Red Beach – I sat on what I hoped was the right bus awaiting a departure that was going to be sometime in the next 45 minutes. Apparently in Fira bus timetables are merely a suggestion, a loose approximation of a schedule. ‘Greek time,’ it was called.

While I waited, I thought back over my day. It had already made up for the previous night’s theft. After my encounter with the silver fox, I walked down the wide zigzag stairs to the old port. It was a tricky exercise, because of the donkeys. When they are not taking people to the top of the island, they are lined up along the stairs, with their asses out. I don’t trust any equine creatures I don’t know, especially when I have to navigate around their behinds. I can report that made it to the bottom without getting kicked in the ass by an ass with its ass out.

The old port was bustling with activity and I spent about half an hour watching people arriving on little wave-jumpers from the cruise ships. There seemed to be a specific clientele aboard those ships, and from what I saw I didn’t think cruising would be my kind of thing. I’d need to age a few decades and make a shitload more money for a start.

I’d planned on a quick lunch before I headed to meet the people on my trip, so just before one o’clock I took the funicular to the top of the island, and set off for my little taverna. I’d left my big bag at the hotel and could pick it up after lunch on my way to the bus – a perfect plan. It was also perfect, because I got to eat that delicious food again.

My attention was drawn back to the bus when a skinny middle-aged man wearing a tweed cap jumped on board, sat in the driver’s seat and started the engine. Just as the bus was pulling away, I heard a cry of “Wait!” and guess who literally jumped onto the bus as the doors were starting to close? Not the silver fox – I doubt he would be the type of fellow to run for a bus – but the tall, cute American in the baseball cap.

Slump

Image
by Charles M. Schultz who got it

There are a lot of writer’s who say that there’s no such thing as writer’s block, because you can always write something – even if it isn’t very good. Maybe that’s true. I mean, I’m writing at the moment. I’m writing this blog post.

So, if writer’s block no more real than Santa (sorry, spoiler alert), what do you call it when you simply don’t want to write? When you re-read stuff that you loved a month ago, and think that it sucks? Is there a name for the feeling you have when all you want in the world is to be a writer – as your full-time, paid, ‘I’d-almost-do-this-for-free’ day job – and you wonder if you really have the writing chops to make it happen?

I’m suffering a crisis of confidence. That makes for a great comedy routine – thank you Rich Hall for this awesome gem – but does not make for a productive writer.

With this in mind – and drawing on my almost obsessive problem-solving skills – I have begun a new writing contract. I did this about a year ago with a good friend of mine in Seattle who is also a writer. But, because of the nature of the contract – I need to text someone when I am ‘done’ each day and I really don’t want to send her a text in the middle of her night – this time I am leaning on a different friend. She is also a writer, and I know that she gets ‘it’ – ‘it’ being the intangible, yet visceral pull that both compels and repels me. How’s that for some good wordplay? See, the contract has already started to work its magic.

Here ’tis:

  • Write (at least) 30 minutes a day, every day for 5 weeks
  • Only 4 ‘free’ days
  • Write my blog, my book, my book proposal, an insightful article for a magazine – you get the drift

The idea is that writing will stop being a chore, something that beckons me and then chews me up and spits me out, and become part of my normal everyday life – like working out, or checking Facebook, or helping to fund my barista’s retirement. thirty minutes a day – easy right? Write?? We’ll see. I’ll keep you posted, so to speak.

 

2012 in review

The WordPress.com stats helpers prepared a 2012 annual report for this blog.

Here’s an excerpt:

600 people reached the top of Mt. Everest in 2012. This blog got about 2,800 views in 2012. If every person who reached the top of Mt. Everest viewed this blog, it would have taken 5 years to get that many views.

Click here to see the complete report.