Write what you know, right?

In the late 90s, I was a European Tour Manager for a company that specialised in tours for 18-35 year olds. See?

EE 1997-No Contiki

Aside: Gotta love those ‘mom jeans’.

I always said I would never go on one of these tours, let alone work as a TM, but when you have a devastating breakup in Paris from a 5-year relationship and you still want to see all the places you were supposed to see on that trip with your now ex-boyfriend, you book a last-minute tour.

After said Parisian breakup, I arrived home (in London) on the Eurostar, got on the phone, and booked a 2-week trip that started the next morning at 7am. I was back in Paris within 24 hours of leaving and on that trip, I met 5 women who became my bus besties. I am still in touch with Michelle, the tall blonde.

Venice 1996

Months later, while I was living in London and doing day-to-day relief teaching, I saw that the tour company was hiring. “I could do that job,” I thought. I applied, along with a couple thousand others, and after an interview process that would NOT pass muster in this #metoo world, I got a spot on the 7-week training trip.

Surviving that was like getting to the final four of Survivor. It was something akin to bootcamp, but with less creature comforts. We averaged 4-5 hours of sleep a night and we slept in tents – in winter – in the snow. We were quizzed relentlessly on routes, opening times, history, currency conversion, places of interest, and architecture. I made lifelong friends, because, really, in the extreme circumstances, all we had some days were each other.

And then I was placed in charge of my own tour – a 5-week camper – the first of a long season that took me into November. It was one of the best and worst years of my life. The best because of the friendships I made, the places I saw, and the experiences I had. And the worst because … well, that’s another blog post.

But, one of the most incredible things about that time is the material it has given me for my writing.

In my 1st and 3rd books, the main character is Sarah Parsons, and like me, she once ran tours in Europe. When her sister, Cat (the main character is book #2), books a 2-week bus tour around around Europe to escape her lovelorn flatmate, Sarah is able to rattle off the full itinerary without hesitation.

And Cat booking that tour meant that I got to write a 2-week bus tour around Europe!

Cat’s 3 bus besties are inspired by my real life bus besties. Michelle inspired Mama Lou, Weyleen (far left above) inspired Jaelee, and Sophie (second from the left) inspired Danielle. I was able to write the places in great detail, because I’d been to them many (many) times. And I was able to write exactly what it’s like to travel on a bus tour – right down to the (ridiculously) early starts, the heinous ablution blocks, the tight schedules, the fast-but-firm friendships that are formed, and how wonderfully Europe excites and entices the senses.

Here’s a little peek into that world…

It was brilliant fun writing That Night in Paris. Early readers are loving it, and you can preorder now (April 15 for the ebook and June/July for the print version) – just follow the link above.

Ciao!

The author’s juggling act

The past 6 months of ‘authorhood’ has seen me juggling quite a few projects and responsibilities. I am not complaining—it has been an incredible ride—but I tend to re-prioritise (nearly) daily.

In March, after job-hunting for a couple of months, I was notified that I’d landed a fulltime job at the company I’d worked for prior to my sabbatical. I was concurrently signing with HarperCollins. Timing wise, I would have about a month before I started fulltime work and received my structural edits for my debut novel.

I got to work, starting Book 4 in my travel romcom series, about a character called Jaelee (who you will meet in Book 2) taking herself off to Bali on sabbatical. In a month, I got 50000 words in.

Then I started my new job and received my structural edits, so Book 4 was left in the drawer. Once my edits went back to the publisher, I started on the marketing for my debut. With my agent and publisher, we teed up early readers and a book blog tour, and I shouted out about pre-orders. I built my online presence even more.

My debut launched at the end of June.

In July, I participated in Camp NaNoWriMo, tasking myself with writing as much as possible of a stand-alone Christmas novella, an idea that had arrived overnight in late June. I wrote 35000 words of the novella in July—while working fulltime and marketing my debut.

In August, I sent my half-finished novella to my agent, who loved it and had feedback. I tweaked it, and the manuscript, along with a lengthy synopsis of ‘what happens next’, went off to my Editor. I can’t say too much about this at the moment, but watch this space (hint, hint, it’s good news).

September came and I learned the publication date for Book 2 was being bumped up three months. EDITING TIME!!! The book was written, but I hadn’t touched it since January, so I gave it a comprehensive structural edit—particularly important as when I wrote it, it was 3rd in the series and now it will be 2nd, so some chronology to fix.

I sent the edits off in September and went back to Book 3 (which I wrote 2nd), conducting a similar structural edit to tighten up the writing and fix the chronology. I am about 70% through that edit, but I’ve just received edits for Book 2 back from my Editor, so I am switching gears again.

When Book 2 edits have been handed back, I can wrap up my edits of Book 3, which I will aim to have done by the end of the month.

But, back to the Christmas book or Book 4 in the series, both unfinished? I really want to do NaNoWriMo next month, with the lofty goal of 50000 in 30 days. BUT, the last time I did it (75000 words in 3 weeks!) I wasn’t working fulltime. Writing was my only job. And marketing for book 2 will start soon…

Mostly, the juggling feels like this:

juggling-exercise-brain-1

But sometimes, it’s like this:

juggling-work1

And occasionally, like this:

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But on the whole, I love this ‘being an author’ gig.

 

 

 

 

 

Cover Reveal Aria’s Travelling Book Shop by Rebecca Raisin

It’s a pleasure to be part of the cover reveal for Aria’s Travelling Book Shop By Rebecca Raisin, which is releasing on April 8th 2020 with HQ Digital

Aria's Travelling Book Shop

Blurb:

With her merry band of Van Lifers, Aria heads to France in her travelling bookshop, best friend Rosie by her side for a summer they’ll never forget!

Hopeless romantic Aria vowed never to love again after losing her husband, TJ, but fate has other ideas and keeps throwing the bespectacled, booklover Jonathan in her path. When a memento from TJ turns up it brings Aria’s past back to the fore.

Nomadic by nature, Aria can’t see how love could work anyway when home is always at the end of a new patch of road…

A long, hot summer travelling off the beaten track, surrounded by newly loved up couples reminds Aria of what she’s missing.

Will she bookmark her love life at the point her husband left, or she will begin a new chapter under the sizzling sun of the Cote d’Azur…?

Book Links: 

Amazon UK | Amazon US | Amazon AU | Google Play | iBooks | Barnes & Noble | Goodreads

About Rebecca:

Rebecca Raisin Author Photo

Rebecca Raisin is a true bibliophile. This love of books morphed into the desire to write them. She’s been widely published in short story anthologies, and in fiction magazines. And now she is focusing on writing romance.

Rebecca aims to write characters you can see yourself being friends with. People with big hearts who care about relationships and believe in true love.

Follow Rebecca: RebeccaRaisin.com | Facebook | Twitter | Goodreads

My #WIP

Now that my debut novel is out in the world, I am fielding lots of questions about what’s next, so I thought I’d blog about it and let you know!

Aside: I have been overwhelmed by the support from the writing community since my debut was published, especially romancelandia, and by the responses to One Summer in Santorini from readers. I’ve had messages, Tweets, Facebook comments and so many wonderful reviews and ratings. Around 95% of readers love my book and it is still sitting well in the charts. I am humbled, grateful and excited by this. Thank you!

But what now?

As you may know, I work fulltime for an educational company as a professional development specialist. My work is 90% reading, writing, and editing educational materials, so sometimes finding the impetus to write and edit fiction is tricky.

But, I have found a solution!

On weekdays, I get up 2-3 hours before I go to work, and I do author biz (respond to emails and messages, post to social media, and so forth), then I write or edit. The early starts have worked well for me.

In July, I participated in Camp NaNoWriMo and wrote 35000 words of a Christmas novela – all in the wee hours. I’ve set that story aside for now, as I am currently (re)editing book #2.

Book #2 is actually the third book I wrote – after the sequel to One Summer in Santorini – and because it is in the same world (it’s about Sarah’s sister, Cat), I am editing to ‘fix’ the chronology. It now takes place right after One Summer in Santorini, and I’ve edited out all the spoilers for the sequel to Sarah’s story.

I had edited this book – I call it Cat’s book at the moment – last year, after I finished writing it, but I am a better writer now, so I have also tightened it up in this editorial pass. I will soon hand this over to my editor for their edit. When it comes back to me in a month or so, I will incorporate their edits and it goes back across to them. In the interim, it will get a name and a cover(!)

When I hand over Book #2 (sometime in the next 2 weeks), I have a few options. I can work on the Christmas story, which will now be a full-length novel, go back to Book #4, which is based on a character Cat meets in Book #2 (I’m about 50000 words in), or begin a structural edit of the sequel to Sarah’s book.

So many choices!!! However, the two unfinished stories do call me.

Essentially, what I have learned about being an author, is that there is always something to do. I move between writing and editing, and while I work on these 4 books – each in its own stage of development – there are other book ideas busting to get out. I temper those ideas by making notes, but not letting them take up any real estate in my mind – it’s already crowded in there.

Book #2, That Night in Paris, is about these two, Cat and Jean-Luc… Oolala!

What I read when I’m writing

The-more-that-you-read-the-more-things-you-will-know-Dr.-Seuss-book-quote-540x671

One of the questions I see most often in the writing community is ‘How do I get back into writing?’ This question might be posed because the writer has suffered a bought of what they call ‘writer’s block’, or because they’ve had a break from writing.

No matter the reason, I always respond with the same advice: read.

Reading is a writer’s best friend. It exercises the brain, it gives you room to play, or escape, or explore. It allows you to immerse yourself in a world of someone else’s creation. It lets you live vicariously through characters that other writers have painstakingly crafted. It will lead by example, showing you how to write and ,sometimes, how not to write.

Reading is a writer’s fuel.

Since January, I have written 100K words across two books and multiple blog posts. I have edited my first (published) book and I am about to start editing my second book, which will be published next March/April. Throughout the first half of the year, I have also read voraciously.

So, what does a writer of RomComs read? Here’s my reading list since January (in no particular order):

  • The Lost Man (Jane Harper)
  • The Little Theatre on the Seafront (Katie Ginger)
  • Wildflower Park (Bella Osborn)
  • The Day We Met (Roxie Cooper)
  • The Woman I Was Before (Kerry Fisher)
  • The French Photographer (Natasha Lester)
  • Summer at the Cornish Cafe (Phillipa Ashley)
  • One Summer in Italy (Sue Moorcroft)
  • One Summer’s Night (Kiley Dunbar)
  • The Secret Cove in Croatia (Julie Caplin)
  • The Unlikely Life of Maisie Meadows (Jenni Keer)
  • The Rose Result (Graeme Simsion)
  • Coming Home to Holly Close Farm (Julie Houston)
  • Instructions for Falling in Love Again (Lucy Mitchell)
  • There She Goes (Lynne Shelby)
  • Lessons in Love (Belinda Missen)
  • An Impossible Thing Called Love (Belinda Missen)
  • Esteban and Marialena (Eve Corso)
  • The Sins of the Sire (Emily Royal)
  • The Man I Fell in Love With (Kate Field)
  • Summer on the Italian Lakes (Lucy Coleman)
  • The Year of Starting Over (Karen King)
  • Louis and Louise (Julie Cohen)
  • Her Brooding Scottish Heir (Ella Hayes)
  • The Last Dance (Aimee Brown)

I am currently reading The Strawberry Thief (Joanne Harris) and next up is the thriller Never Have I Ever (Joshilyn Jackson).

Just read…

 

Why authors shouldn’t read reviews – and why we do

On Goodreads, all reviews 3 stars and over are considered positive. Goodreads will even tell you what percentage of readers liked your book. At the moment, 93% of people ‘like’ One Summer in Santorini.

Overview of reviews

Or, to look at it another way, 7% of people disliked or even hated my book.

One review was so scathing, I followed the breadcrumbs to the reader’s blog and she’d posted ‘Ten Reasons I Hated This Book’. Of course, I read them – all of them. Some reasons had me wondering why she’d picked up the book in the first place – she hates love triangles, for instance and the blurb mentions the love triangle. Other reasons indicated that she hadn’t actually read the book – which was confirmed at the end when she wrote ‘I skim read most of it.’

The thing was, the book didn’t engage her enough for her to actually read it – and that’s okay. Sarah, a protagonist who is very like I was at her age, is not for everyone – just like I wasn’t, just like I am not everyone’s cup of tea now. And that’s okay.

Some 3-star reviews rave about the book, which indicates that for those readers, 3 stars is high praise. Thank you, readers.

I’ve read reviews where the reader is cross about the ending (no spoilers). I’d love to reply that it is slice of life – just that moment in time – and that I’ve written two follow-ups (one a direct sequel), which will be published in 2020.

Replying to reviews is, however, a no-no.

So, why do I read reviews at all?

Simply, because the good ones feel amazing – validation that the hundreds, if not thousands, of hours I spent in isolation getting the story down and honing it, were worth it.

I’ve read reviews where the reader says how much the theme of the book – falling back in love with life – resonated with them, and that they want a bigger life, just like Sarah. That means so much to me. I also love hearing that the book is a ‘fun beach read’, because that’s one of the genres I love reading, too.

So, no, authors probably shouldn’t read reviews – or at least, we shouldn’t obsess over the ‘bad reviews’. But as long as we go into it knowing that our book will not be for everyone – that some people will find it boring, or the protagonist annoying, or the ending frustrating – then we can take the bad ones with a grain of salt. Because for some readers, our book will brighten their day.

 

 

 

Inspiration for a Plantser

Many authors identify as either plotter, someone who plans the whole plot and all the details before they start writing, or a pantser, someone who flies by the seat of their pants.

I am a proud plantser, so somewhere in between. This means I have a general idea of where the story goes, writing out general plot ideas before I start, but I’m often surprised by my characters.

I tend to scribble notes as I write, reminding myself that the love interest has green eyes and what his middle name is. The scribbles become my ‘bible’ so that I can edit for continuity. K.M. Allan blogged about creating a series bible, but I recommend creating one even for stand-alones, especially if you’re a plantser like me.

Another thing I’ll do before I start is to choose the setting. Setting is extremely important to my writing, almost becoming a supporting character, and I only write about places I’ve been to and know. Yes, I still have to research. I’ll look back over my photos and read my travel diaries and blog posts, and I become a Google savant. For the book I’m currently writing, I’ve been on Google street view, travelling down the roads in the tiny Oxfordshire village my aunt lives in – just to get the details right.

The last thing I always do before I start writing is ‘cast’ my book – always the main character and the love interest, and sometimes supporting characters. This makes it so much easier to write, because I just imagine them in those places and sometimes whole scenes will play out in my head before I write them down. Actions become easier to write when I have the setting and the characters visually locked down.

So, I thought I would share some of my casts – just for fun.

One Summer in Santorini (and the sequel, One Summer in Love): Sarah, James and Josh

My next book, That Night in ParisCat (Sarah’s sister) and Jean-Luc

My work-in-progress is a Christmas book about three childhood friends from Australia, Colorado and the UK: Lucy and Will; Lauren and Matt; and Lisa and Archer

And the next next book is set in Bali and Scotland

Jaelee and Alistair

So, there’s a little of my plantser inspiration for you…

Hunger by Laura McKendrick

This weekend I am honoured to be able to share a beautifully-written short story by a fellow romance author, Laura McKendrick, who also writes under the name of Eilidh Lawrence.

Author bio

I am an aspiring romance author, songwriter and contributor to the Pink Heart Society (PHS) e-zine. I was a co-founder of #UKRomChat, a weekly live Twitter chat for romance writers, and co-hosted the chat for its first year. In 2018 I finalled in the TARA and WisRWA Fab Five romance writing contests. I’m a former prosecutor and hold a Diploma in Forensic Medical Sciences, but, no, I would not rather be writing crime! I’m all about happy-ever-afters.

Laura 2

 

She recently entered the (UK) Woman’s Weekly Fiction Short Story Competition, which was co-sponsored by Mills and Boon and she was one of the runners up with her story, Hunger. I loved it and wanted to share it with you.

Hunger by Laura McKendrick

Laura1
Image by Alan Poulson Photography

The Oregon Trail, near Fort Hall, Idaho, 1849

“Your cooking smells of home.”

The unfamiliar voice drew Órlaith’s attention from the pot where she stewed elk over an open fire. It took a moment for her to realise the man had spoken in Gaedhilge. Shadows danced across his gaunt face. A face she didn’t know.

“I’m Liam.” He bent closer, offering his hand. “From Donegal.” His fingers were long, his grip firm. His dark hair contrasted with his pale skin.

“You’ve the charm of an Irishman, to be sure,” she replied in English. They were in America now. “But we both know half the women in this camp are stewing game tonight. It was a good day for the hunting.”

He laughed, a sound she didn’t hear so much these days.

“Well, there’s none cooking it as well as you.”

A charmer indeed.

She returned her focus to the stew. The scent of wild garlic mingled with the ever-present woody, smoky smell that had clung to her hair and dust-coated clothes for months now.

“It really does smell good.” He hesitated. “Can I buy some?”

She studied him. “I’ve not seen you before.”

“No. We joined you today. My boy was exhausted. We rested, the two of us. Our party went on.” He shrugged. “That’s how it goes.”

“Your boy?” There were so many children on this wretched journey. “How old is he?”

“Danny’s but four years.”

“You both must eat with us. As our guests. No charge.”

“Us?”

“My brother Ruaidhrí and I.” She paused. “We’re all that’s left that were still in Ireland. And there’s my babby, Hope. She’s asleep.” Órlaith nodded towards their canvas-covered prairie schooner. The wagon was the closest thing to home little Hope had experienced so far in her hard, infant life.

“I’m sorry.” A respectful silence hung in the air. The clicking of the cicadas seemed clearer. Then he smiled. “Hope’s a pretty name.”

“Will you sit?” she invited, and he did. “I always wanted a baby girl called Caoimhe. But then I had Hope on the crossing. A babby born on the Western Ocean. Who would’ve thought? We were bound for America. Caoimhe seemed too…”

“Irish.”

A moment of understanding passed between them.

“Yes.”

“And what do they call you?”

“Órlaith.”

“Was it The Hunger took your people, Órlaith?”

“Disease.”

The fire crackled.

“I see.” A horse whinnied, and he turned towards the sound. When his face returned to Órlaith, she saw sincerity etched across his strong features. “My Nancy, she made it through the workhouse. Made it through near-starvation. Made it through the crossing. But she didn’t make it beyond Boston.” A single shake of his head conveyed loss and disbelief. “Cholera. Little Molly too. Buried three thousand miles from home.”

He did see.

“We none of us would’ve expected this, when we were young. This loss.” She picked up a stick and poked the fire. It sparked. “My sister and her husband left in ’44. Went to Oregon to farm. I could never leave, that’s what I thought then. But when my husband Ciarán and my parents died everything became so bleak. It didn’t seem like life would ever get better.”

A dark time. It wasn’t the smoke that caused tears to well in the corners of her eyes.

“There’s such misery in our country,” she continued, a catch in her throat. Their eyes met. Her pain was reflected in his. “That’s when Mary finally convinced us to come join them. My brother-in-law arranged it all. It was a good boat, at least. We were lucky.”

He looked away from her and tugged at the left cuff of his worn shirt. Had he not been on a good boat? She knew of the coffin ships and thanked God she hadn’t given birth in those squalid conditions.

From behind them, Ruaidhrí coughed. “I see you’ve met our new friend.”

She hadn’t noticed her brother’s return.

Ruaidhrí stepped from the edge of the fire’s light and slapped Liam on the back. He made friends easily, always had done.

“Well, I’ll get back to my boy.” Liam stood. “We’ll take you up on your dinner offer.” He glanced at Ruaidhrí. “If your brother doesn’t mind.”

Ruaidhri grinned. “The more the merrier.”

She was in dire need of merriment.

“You’re both very kind.” Liam lingered. “And Órlaith, perhaps later, I might have a dance?”

She looked at the Irishman, tall, not yet old, a survivor. But gentle too, and familiar. Like home. She smiled. “That’d be grand.”

The flames between them flickered and leapt.

 

My name is Sandy and I am an author

I met with a financial advisor once – once. When he asked about my long-term plans (career, finances, retirement), I replied that I would probably never truly retire, because one day I’d be an author and I would continue to write ’til the day I stopped breathing.

He laughed at me. Out loud. Then he tilted his head and gave me a pitying look. I asked him to leave and went back to my desk and wrote a chapter.

That was in 2001.

I finished that manuscript, a travel biography of my year as a Contiki Tour Manager, then stuck it in a drawer. For years.

I dusted it off once and gave it to a writer friend. “This should be a novel,” she said, so I started turning it into a novel. In late 2012, I got 70000 words into a re-write, then queried it to an agent in Australia. He loved the first three chapters and immediately asked for the rest.

“This isn’t your first book,” he said on the phone a few days later. “It’s good – you’re an excellent writer – but you’re not Liane Moriarty. There are too many narratives, too many characters. Go and write a single narrative – a simple story. Then come back to me.”

Encouraged, I did.

Mining my own (sometimes interesting) life, I turned my true-life love story into a novel. I wrote You Might Meet Someone about a woman in her late-thirties, who – post-breakup – is fed up with men and takes herself on holiday to Greece, sailing the Cyclades Islands. Everyone tells her how she might meet someone – so condescending and unhelpful – but she just wants to travel and soak up the briny air and sunshine. Of course, she does meet someone – make that two someones.

(Aside: in real life, there was only one someone and he is still my someone.)

I went back to the agent. “Hi, do you remember me?” – that sort of thing. He did and said he’d read the first three chapters. Loved them and later that day, he asked for the rest. The next morning, well before I’d had my first cup of tea, I got the call. He’d read it twice and loved it. ‘Eat, Sail, Love,’ he called it.

He represented me for a year – per our contract – to no avail. No publishing deal. In retrospect, my synopsis and pitch were ‘off’, but my agent thought I should add some ‘danger’ to the book – apparently, danger was selling at the time. I wondered how I could do that. How could I turn a travel romcom into a book with danger? We parted ways amicably and I put the book in a (metaphorical) drawer. That was 2015.

In 2016 Ben and I had been together nearly 10 years and we decided to celebrate our real-life ‘meet cute’ with another sailing trip around the Greek Islands with the same skipper.

On return from that wondrous trip, I was inspired to pull out the book and give it another pass. “Why don’t you self-publish on Kindle?” asked my supportive love. I percolated on that question for a short while, gave the book a final edit, handed it off to a colleague with editorial chops, collaborated with a cover artist in London, and – bottom lip firmly between my teeth – published it on Kindle.

My book was out there. I was an author.

Fast forward to our sabbatical in 2018 and I wrote the sequel (also published on Kindle), then book three in the series. Sarah (books one and two) and her sister, Cat (book three), came to life. The men they loved, their travel adventures, their friendships, their internal battles, their journeys to love, came to life.

Concurrently, I soaked up as much as I could about author life. I took a course on building my author profile and engaged with fellow authors on Twitter. I read widely – both within my genre and about the business of being an author.

As I embarked on the indie author path, I tweaked and honed and finessed my pitches to book bloggers, agents and publishers. I joined author communities. I sought and gave feedback. I engaged beta readers and I became a beta reader – I learned what a beta reader is and why they are so important to the writing process. I entered contests and Twitter pitches, and was featured on book blogs and UKRomChat (hi, lovelies – I adore you so much!). I even did my first NaNoWriMo (National Novel Writing Month) and smashed it, writing 70000 words of my third book in three weeks.

I worked my little Aussie bum off.

Along the way, I made friends with some incredibly talented, generous, and supportive people – most of whom I’ve yet to meet face to face. I became part of the writing community.

Excitingly, my blood, sweat and lots of tears – a.k.a. ‘hard work’ – is now paying off. I have a new agent, the inimitable Lina Langlee of the Kate Nash Literary Agency in the UK, and she has secured me a two-book deal (!) with a soon-to-be-named imprint of a soon-to-be-named (big five) publishing house.

It’s happening. I am being published – by a world-renowned publisher.

I am embarking on a long-distance, long-term relationship with an agent who loves my work and believes in me, and a publishing house who described my writing as ‘beautifully sumptuous and evocative’.

So, as I commence writing my fourth book, as I assemble the dream cast for the movies of my books, as I continue to work in a field I (also) love and am great at – adult education – I am humbled, excited, terrified, vindicated, grateful, and … well, I am an author.

p.s. Doesn’t Lina Langlee have the best name ever?

p.s.p.s. If you read either of my first two books while they were out in the world, thank you. They’ll be back. (pssst, please leave a review on Goodreads)

p.s.p.s.p.s. Thank you to William (Bill) Aicher of the Indie Author CoalitionAimee Brown, fellow romance author and leader amongst women; DC Wright-Hammer, who shines the spotlight on fellow authors; Rebecca Langham, who started #AusWrites on Twitter (often the highlight of my day); Jeanna, Eilidh, Lucy and all my fellow authors of UKRomChat on Twitter (always the highlight of my romance author week); Allison and Valerie from the Australian Writers’ Centre; and Jen and Kerry from The Business of Books. Thank you Lindsey Kelk, my favourite author who (actually) replies to my emails. And thank you to my friend, Mike Curato, who took a leap of faith to become a best-selling artist and author.

p.s.p.s.p.s.p.s. Thank you Ben and my sis and my family and Lins and Jen and all my lovely friends. x

 

 

Romance Must-reads

I was a romance reader long before I was a romance writer – actually, since I used to sneak Mills and Boon books from my mother’s beside table at the precocious age of 12.

By 13, I’d graduated to Shirley Conran and Jackie Collins, and she’d ‘graduated’ to just handing them to me.

At high school, I read every Sweet Dreams book ever written along with all the other teenage girls in existence. As an adult, I discovered chicklit – mostly romcoms, but also the more heartfelt side of the genre.

And when I read my first Lindsey Kelk book in January 2013, I knew two things. First, I wanted to read all her books (there were 5 then; there are soon to be 13). And second, I wanted to write romance novels.

I still read widely across the genre and wanted to share some (old and new) favourites with you.

AAG - LKThe first in the Tess Brookes series (my fave chicklit series ever) – this book is hilarious.  Buy it here. Kelk’s book that started my love affair with romance writing is I Heart New York, and you can now pre-order the 8th ‘I Heart’ book, I Heart Hawaii.

Outlander

Outlander is, simply, one of the most beautifully-written books I’ve ever read; the prose is sublime. Couple that with a love story that transcends time, it is an absolute must-read. And if you’ve been living under a kilt, there’s also a television show – perhaps the sexiest one on air. I am up to #7 of Diana Gabaldon’s series.

Penny Reid

Penny Reid’s Knitting in the City series is terrific, and I devoured book 1, Neanderthal Seeks Human. I am only 3 books in (there are 8, each focussing on a different member of the knitting circle), but the way she crafts distinct characters through first person is just terrific.

Mayes

How I adore Frances Mayes’ writing. She evokes place like no other. Women in Sunlight is not your typical romance novel, as it’s not the primary theme, but I love the approach in this novel which explores love, sex and romance in your 60s.

TTTW

The Time Traveller’s Wife is one of my favourite books – ever. This story will simply take your breath away.

Moyes

The 3rd in the trilogy, this was actually my favourite of the moving, yet hopeful ‘Me Before You’ series. An original concept brings Louisa and Will together in a the most devastating ‘meet cute’ ever. Buy the first one here.

Allende

Traversing generations, Allende has woven a beautiful and epic love story in The Japanese Lover.

Some other lovely romantic reads I’ve loved over the past few months are: Her Brooding Scottish Heir (my first foray into M&B in decades) by Ella Hayes; French Kissing (sexy, funny, dreamy) by Lynne Selby; A Room at the Manor (heartfelt and lovely) by Julie Shackman; A Village Affair (laugh out loud) by Julie Houston; One Way Ticket to Paris (rekindling true love) by Emma Robinson, and Lottie Loser (romance with a dramatic twist) by Dana L. Brown.

I’m making myself stop there and if you think that’s a lot of books, you should see my TBR (to be read) list!

Happy Valentine’s Day or Galentine’s Day or just plain old February 14th.

Sandy xx