My name is Sandy and I am an author

I met with a financial advisor once – once. When he asked about my long-term plans (career, finances, retirement), I replied that I would probably never truly retire, because one day I’d be an author and I would continue to write ’til the day I stopped breathing.

He laughed at me. Out loud. Then he tilted his head and gave me a pitying look. I asked him to leave and went back to my desk and wrote a chapter.

That was in 2001.

I finished that manuscript, a travel biography of my year as a Contiki Tour Manager, then stuck it in a drawer. For years.

I dusted it off once and gave it to a writer friend. “This should be a novel,” she said, so I started turning it into a novel. In late 2012, I got 70000 words into a re-write, then queried it to an agent in Australia. He loved the first three chapters and immediately asked for the rest.

“This isn’t your first book,” he said on the phone a few days later. “It’s good – you’re an excellent writer – but you’re not Liane Moriarty. There are too many narratives, too many characters. Go and write a single narrative – a simple story. Then come back to me.”

Encouraged, I did.

Mining my own (sometimes interesting) life, I turned my true-life love story into a novel. I wrote You Might Meet Someone about a woman in her late-thirties, who – post-breakup – is fed up with men and takes herself on holiday to Greece, sailing the Cyclades Islands. Everyone tells her how she might meet someone – so condescending and unhelpful – but she just wants to travel and soak up the briny air and sunshine. Of course, she does meet someone – make that two someones.

(Aside: in real life, there was only one someone and he is still my someone.)

I went back to the agent. “Hi, do you remember me?” – that sort of thing. He did and said he’d read the first three chapters. Loved them and later that day, he asked for the rest. The next morning, well before I’d had my first cup of tea, I got the call. He’d read it twice and loved it. ‘Eat, Sail, Love,’ he called it.

He represented me for a year – per our contract – to no avail. No publishing deal. In retrospect, my synopsis and pitch were ‘off’, but my agent thought I should add some ‘danger’ to the book – apparently, danger was selling at the time. I wondered how I could do that. How could I turn a travel romcom into a book with danger? We parted ways amicably and I put the book in a (metaphorical) drawer. That was 2015.

In 2016 Ben and I had been together nearly 10 years and we decided to celebrate our real-life ‘meet cute’ with another sailing trip around the Greek Islands with the same skipper.

On return from that wondrous trip, I was inspired to pull out the book and give it another pass. “Why don’t you self-publish on Kindle?” asked my supportive love. I percolated on that question for a short while, gave the book a final edit, handed it off to a colleague with editorial chops, collaborated with a cover artist in London, and – bottom lip firmly between my teeth – published it on Kindle.

My book was out there. I was an author.

Fast forward to our sabbatical in 2018 and I wrote the sequel (also published on Kindle), then book three in the series. Sarah (books one and two) and her sister, Cat (book three), came to life. The men they loved, their travel adventures, their friendships, their internal battles, their journeys to love, came to life.

Concurrently, I soaked up as much as I could about author life. I took a course on building my author profile and engaged with fellow authors on Twitter. I read widely – both within my genre and about the business of being an author.

As I embarked on the indie author path, I tweaked and honed and finessed my pitches to book bloggers, agents and publishers. I joined author communities. I sought and gave feedback. I engaged beta readers and I became a beta reader – I learned what a beta reader is and why they are so important to the writing process. I entered contests and Twitter pitches, and was featured on book blogs and UKRomChat (hi, lovelies – I adore you so much!). I even did my first NaNoWriMo (National Novel Writing Month) and smashed it, writing 70000 words of my third book in three weeks.

I worked my little Aussie bum off.

Along the way, I made friends with some incredibly talented, generous, and supportive people – most of whom I’ve yet to meet face to face. I became part of the writing community.

Excitingly, my blood, sweat and lots of tears – a.k.a. ‘hard work’ – is now paying off. I have a new agent, the inimitable Lina Langlee of the Kate Nash Literary Agency in the UK, and she has secured me a two-book deal (!) with a soon-to-be-named imprint of a soon-to-be-named (big five) publishing house.

It’s happening. I am being published – by a world-renowned publisher.

I am embarking on a long-distance, long-term relationship with an agent who loves my work and believes in me, and a publishing house who described my writing as ‘beautifully sumptuous and evocative’.

So, as I commence writing my fourth book, as I assemble the dream cast for the movies of my books, as I continue to work in a field I (also) love and am great at – adult education – I am humbled, excited, terrified, vindicated, grateful, and … well, I am an author.

p.s. Doesn’t Lina Langlee have the best name ever?

p.s.p.s. If you read either of my first two books while they were out in the world, thank you. They’ll be back. (pssst, please leave a review on Goodreads)

p.s.p.s.p.s. Thank you to William (Bill) Aicher of the Indie Author CoalitionAimee Brown, fellow romance author and leader amongst women; DC Wright-Hammer, who shines the spotlight on fellow authors; Rebecca Langham, who started #AusWrites on Twitter (often the highlight of my day); Jeanna, Eilidh, Lucy and all my fellow authors of UKRomChat on Twitter (always the highlight of my romance author week); Allison and Valerie from the Australian Writers’ Centre; and Jen and Kerry from The Business of Books. Thank you Lindsey Kelk, my favourite author who (actually) replies to my emails. And thank you to my friend, Mike Curato, who took a leap of faith to become a best-selling artist and author.

p.s.p.s.p.s.p.s. Thank you Ben and my sis and my family and Lins and Jen and all my lovely friends. x

 

 

A Grand Adventure: Sabbatical Life

Those of you who followed our sabbatical journey will know that we spent most of 2018 living (and often working) abroad. I blogged throughout the year, with posts specifically about the sabbatical at the half-way mark, and then again on the home stretch.

We’ve been back in Australia about six weeks now, and have just moved into our new home in Docklands. As I interview for fulltime work, as I’m about to sign a publishing contract for my first book, and as I unpack and find new homes for our belongings, it’s a good time to reflect on our year of sabbatical life.

The days are long and the weeks go by fast

A dear friend we made in Bali, where we lived for two months, reflected that when she looked back, the weeks seemed to be flying by, but that each day felt full and long.

I can honestly say that this is how I felt for most of the year.

When I am present, when I live the breadth and depth of each day, they seem longer, fuller. I want to carry that feeling with me, to bottle that secret sauce, because it makes life feel more purposeful and I’m more content.

A sense of accomplishment

As well as consulting for clients (writing, editing, and review educational materials), I wrote and edited two books. TWO WHOLE BOOKS, each 100,000 words. I wrote 200,000 words – funny, heartfelt narratives set in beautiful locations. I made up people, their lives and their adventures. I created from nothing the things they said and did – well, I borrowed some anecdotes from loved ones, but for the most part, those fictional people came to life in my head.

I worked on building my author platform, engaging with readers and authors from around the world, learning from them, supporting them, befriending them. I’ve made some wonderful literary friends over the past year – people I can contact with questions and requests, people who can rely on me for support and help if they need it. I will champion them and their writing, and they will do the same for me.

I also queried publishers and agents, honing my messaging about me and my books. I am proud and excited to say that I recently got a big fat YES from a UK-based publisher, which I will announce officially once I’ve signed the contract. Because of this sabbatical, my first book is being traditionally published and I will get to hold my book in my hands. The others will hopefully follow (squee!).

Feeding my soul

We lived in and visited some beautiful, exciting, and vibrant places. Bali, Portugal, Scotland, Ireland, rural Minnesota, London, the British Midlands, Amsterdam, Seattle, LA, Wales, New Zealand and my home state of Western Australia. Natural beauty, architectural wonders, history, and wildlife in copious doses. Our everyday life was a wonderful cacophony of sights, sounds, smells and tastes that we happily steeped ourselves in.

Walking the streets of Ubud, the sun beating down, the humidity hanging heavy in the air, the heady scent of tropical flowers mixing with petrol fumes and Indonesian spices – this became my idea of heaven.

Spending time with loved ones also fed my soul. Catching up with family and friends in WA, LA, Seattle, Minnesota, the UK, Ireland, and Amsterdam was a highlight. Living with Ben’s family and mine for extended periods of time was something special. Cooking a mid-week meal for people I love is – and has long been – a great pleasure for me. Chatting over that meal, as we recount our days, our mini-triumphs and challenges, heightens that joy.

‘Quality time’ it’s called. We all need that type of time with our loved ones. Even though I’ve lived my adult life ‘away’ from most of my family, I long for those times when I can look across the dinner table and meet the eyes of someone I love dearly but don’t see in person very often. The thing about being a traveller, someone who lives ‘away’ – you always miss someone. It’s the curse of the ex-pat. I had a year of topping up my soul with quality loved-ones time.

And, wonderfully, we made some very dear new friends from across the world.

 
The things you miss

Things are just things, really. We attach meaning to them. As I unpack boxes and find places for our things in our new home, I know (deep down) they’re just things, but they make me feel at home. Books I’ve loved, souvenirs and artefacts from our travels, family photos, my good knives, my cannisters (yes, really) – these things ‘spark joy’ as Marie Kondo would say. It’s nice to rediscover these things. Do I need them? No, I don’t. I spent the year with my clothes, toiletries and a stack of rectangles (laptop, iPad, Kindle, phone). I can live without things. For now, though, I will especially enjoy them.

I did really missed drawers, though. Like, really, totally, absolutely, completely missed putting my clothes into drawers. Even when we stayed somewhere for weeks or months, we kept our clothes in our packing cubes. Drawers are luxurious. Next time you take an article of clothing out of a drawer, just savour that feeling.

The things you get used to

In Bali, we slathered ourselves in sunscreen and showered several times a day. It was hot and humid and 80% of our time was spent outdoors. My hair looked like wool. And even so, Bali was my favourite place we lived in. I’d live there again in a heartbeat.

I am a creative home cook. In Bali, I cooked with tempeh for the first time and it became a staple. At the lake cabin in Minnesota, I had an electric frying pan and a microwave – that’s it – and I cooked a variety of dishes. In Portugal, it was difficult to get good fresh food – produce, dairy and proteins – but I adapted. In the UK (before and after Portugal), I was cooking for five instead of two, and three of the adults were eating Keto. Spoiled for fresh produce, because you are in the UK, I made giant pots of Keto-friendly stews, red sauces and soups.

I can write anywhere – and did. A sunlounger, a beach, a cafe (many cafes), the kitchen table (in many different kitchens), on planes and trains, and even on a boat. The world was my writing room. I loved it.

My big takeaways

I love Australia. It’s home – Melbourne especially. It’s a terrific city and we have loved ones here. I was happy to come back and I am excited to start the next chapter here.

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Our new view

I would do a sabbatical year again – or create a life where we live abroad for several months every year. There was a time when that thought terrified me – now I think it will become essential to us.

Ben is an incredibly brave, wonderful, supportive, imaginative person. “Why don’t we trade a year of retirement for now,” he said a couple of years ago. I am so grateful he did, but even more so that he gently nudged me to make the commitment. He is my bestie, my partner-in-crime, my travel buddy, my champion, my love. Thank you, Ben, for being all those things and more.

Romance Must-reads

I was a romance reader long before I was a romance writer – actually, since I used to sneak Mills and Boon books from my mother’s beside table at the precocious age of 12.

By 13, I’d graduated to Shirley Conran and Jackie Collins, and she’d ‘graduated’ to just handing them to me.

At high school, I read every Sweet Dreams book ever written along with all the other teenage girls in existence. As an adult, I discovered chicklit – mostly romcoms, but also the more heartfelt side of the genre.

And when I read my first Lindsey Kelk book in January 2013, I knew two things. First, I wanted to read all her books (there were 5 then; there are soon to be 13). And second, I wanted to write romance novels.

I still read widely across the genre and wanted to share some (old and new) favourites with you.

AAG - LKThe first in the Tess Brookes series (my fave chicklit series ever) – this book is hilarious.  Buy it here. Kelk’s book that started my love affair with romance writing is I Heart New York, and you can now pre-order the 8th ‘I Heart’ book, I Heart Hawaii.

Outlander

Outlander is, simply, one of the most beautifully-written books I’ve ever read; the prose is sublime. Couple that with a love story that transcends time, it is an absolute must-read. And if you’ve been living under a kilt, there’s also a television show – perhaps the sexiest one on air. I am up to #7 of Diana Gabaldon’s series.

Penny Reid

Penny Reid’s Knitting in the City series is terrific, and I devoured book 1, Neanderthal Seeks Human. I am only 3 books in (there are 8, each focussing on a different member of the knitting circle), but the way she crafts distinct characters through first person is just terrific.

Mayes

How I adore Frances Mayes’ writing. She evokes place like no other. Women in Sunlight is not your typical romance novel, as it’s not the primary theme, but I love the approach in this novel which explores love, sex and romance in your 60s.

TTTW

The Time Traveller’s Wife is one of my favourite books – ever. This story will simply take your breath away.

Moyes

The 3rd in the trilogy, this was actually my favourite of the moving, yet hopeful ‘Me Before You’ series. An original concept brings Louisa and Will together in a the most devastating ‘meet cute’ ever. Buy the first one here.

Allende

Traversing generations, Allende has woven a beautiful and epic love story in The Japanese Lover.

Some other lovely romantic reads I’ve loved over the past few months are: Her Brooding Scottish Heir (my first foray into M&B in decades) by Ella Hayes; French Kissing (sexy, funny, dreamy) by Lynne Selby; A Room at the Manor (heartfelt and lovely) by Julie Shackman; A Village Affair (laugh out loud) by Julie Houston; One Way Ticket to Paris (rekindling true love) by Emma Robinson, and Lottie Loser (romance with a dramatic twist) by Dana L. Brown.

I’m making myself stop there and if you think that’s a lot of books, you should see my TBR (to be read) list!

Happy Valentine’s Day or Galentine’s Day or just plain old February 14th.

Sandy xx

 

 

 

 

 

 

 

So, what exactly is #chicklit?

I published my first novel nearly a year ago and I’m about to publish my third. Something I’m often asked—and something I need to define as an author—is what genre I write in.

The long answer is ‘Contemporary Women’s Fiction’, but as this broad category also includes authors like Liane Moriarty and Jodi Picoult, whose books are brilliant but very different from mine, I tend to answer ‘RomCom’ or ‘Chicklit’.

RomCom is a little limiting, however, because in each of my books I delve into heartbreak, goodbyes, loss, and other harsh realities of life, like alcoholism and infidelity. The other day, Ben asked me if I was okay because I started sobbing while sitting at my computer. “I’m just writing a sad scene,” I said and he left me to it. My characters live and breathe in my head; when they’re heartbroken, so am I.

That said, I also write a lot of humour into my books. The main characters are funny women. They’re self-deprecating, smart and witty. Their inner monologues, where they ‘say’ whatever they like, are some of the funniest parts of the books.

In short, I write them to be relatable, well-rounded, flawed, and fabulous women—like your best friends, your sisters, your cousins/aunts/mums, like you.

So, is Chicklit a more apt description of the genre I write? Yes and no.

Yes, because fans of the genre know what type of book they’re getting when they buy one of mine—and it’s likely they’ll enjoy it. And I’m in good company in this genre. Take a look at the Goodreads list of most popular Chick Lit titles. You’ll notice some famous bestsellers, like Bridget Jones’s Diary and The Devil Wears Prada.

And no, because it’s (become) a loaded term. For those who don’t really know what it is, who are afraid to dip their toe in the pool, who might love my books and others that sit in this category if they actually read them, there can be the perception that Chicklit = fluffy nonsense.

This is not true.

Sure, like in any genre, books in this category span the entire spectrum from outstanding to atrocious, but the best examples of the genre are fantastic reads. And, like any genre, the lines are fluid. It includes everything from laugh-out-loud comedies (a la Bridget Jones) to heartbreaking tales like JoJo Moyes’ Me Before You.

A way I can narrow down my specific corner of the genre further, is to identify the books that would sit next to mine on the shelf, those ‘people-who-bought-this-book-also-bought…’ books.

My fave Chicklit author—the one who I want my books to sit next to the most—is Lindsey Kelk.

lindsey-kelk-2-book-bestsellers-collection-about-a-girl-i-heart-new-york

She’s written seven (soon to be eight) I Heart books and three Tess Brookes books, as well as several stand-alones. Her writing is fast-paced, funny, heartfelt, and relatable. She’s a full-time author and her books are sold worldwide, and I feel qualified to say this because I’ve read hundreds of Chicklit books, one of the best in the biz.

So, if I was pressed to give the Twitter pitch definition of Chicklit, I would say this:

It’s fiction about women, for women.

That would leave me 204 characters to further explain that men often read and enjoy it, and some of it is written by men, but I stand by my one-liner.

I am also trying (without a lot of traction at the moment) to get ‘travel romance’ to take off as a sub-genre: exploring the transformative effects of travel on the love-weary. But until it becomes mainstream, I’m happy to inhabit my little corner of Chicklit.

 

A desk with a view

We have now been on sabbatical for nine months, and during that time Ben and I have both worked for our respective clients and I’ve written, edited and published one novel and I’m about 1/4 of the way through writing the next.

While we’ve also made time to explore the different locations we’ve visited or lived in, our working life is a big part of the sabbatical. This is a test case: can we live and work abroad for extended periods of time? We never know, this could become our new normal.

The kind of work we both do – Ben developing software, and me writing and editing content – means we need to work at desks. But ‘desk’ can be any flat surface. Ben’s current stand-up desk set up is an ironing board and the box the vacuum cleaner came in – yes, really.

Most of the time, we either use the dining table of the place we’re staying at, or we go to coffee shops. The coffee shop thing is tricky. The seats have to comfortable enough to sit on for at least a couple of hours, the WiFi has to be good, the coffee can’t suck, and there needs to be a generally good ‘vibe’.

Our fave spot so far in Porto is the cafe at the Concert Hall, which has great seats, fast WiFi and a buzz of energy from the groups of people who gather there to catch up or to work. The coffee sucks, but 3 out of 4 isn’t bad. The other day, when it was still sunny and warm, we worked in the park at a picnic table for a couple of hours – divine.

At the lake cabin, I’d often sit on the porch in an Adirondack chair (I love these) and write, stealing glances at the lake view from time to time. In Bali, my favourite place to work was on the sunlounger next to the pool.

So here are some of my fave desks with a view from the year so far.

In the park in Porto
At the park in Porto
Looking out the window in Amsterdam
Amsterdam

 

Drama Queen: Becoming a Novelist

Since I can remember, I’ve loved writing. I still have my Year 4 composition book and I was quite the short storyist (I also like to make up words). In my teens I wrote a gripping satirical piece on public toilets and started a novel (to date, still unfinished).

At university, while studying a BA in English and majoring in Literature and Theatre Arts, I wrote piercing exposes about sexism in classic novels and the sexualisation of men in Glam Rock – I know, also gripping stuff. I wrote angst-ridden monologues, which were somewhat sophomoric considering I was in my early twenties and no longer a sulking teen.

I kept a journal from age twelve, one of those small, but fat diaries with a gold lock that my eight year-old sister could easily pick. I upgraded to bigger and better journals, but stopped journalling about fifteen years ago when I realised I spent more time writing about my life than living it.

All of these writings and musings are where I cut my teeth as an author, but the one thing that has served me best as an author is Drama – my time studying performance and plays, my time on stage, and my time as a Drama teacher.

Drama taught me invaluable lessons I draw on every time I write.

Character motivations

Characters must have a motivation. It’s that simple. They must want something, even if they don’t (yet) know that they want it. Characters can also be their own antagonist – just think of how many people you know who self-sabotage. Any time my writing stalls, I ask myself, what does this character want and what will they do to get it?

Character arcs

Not only do characters need a motivation, they must move – and I don’t mean that they need to join a dance class or change their address. Characters – particularly the protagonist – must develop, grow, or change in some way. They must have an arc. They should be different at the end of the story from when the reader first meets them. It’s good for me as a writer to be able to articulate that continuum of growth, that arc.

Back stories

Acting taught me of the importance of back stories. Characters – again, particularly protagonists – need to be as fully fleshed out as possible. They should have histories and there should be reasons for their personality traits, their motivations, their flaws, their relationships. As a writer, I must create histories for my characters, so they ring true to readers.

Setting

In a play, there’s a great deal of attention to setting – how characters interact with it, how it’s referred to and how it is staged. On paper, a richly-developed setting can become almost a character in itself. And how characters engage with the setting can evoke a specific tone or mood. As I travel avidly, I tend to write about places I know well and aim to capture what it is like to be in those places.

Dialogue

I have received some terrific feedback on the realism of my dialogue, which I greatly appreciate because I tend to use a lot of it and I work hard to make it sound A) true to each character and B) natural and realistic.

Writing plays in the noughties helped me develop this skill. I was teaching at a girls’ school and was seeking out plays for student productions. There’s a dearth of well-written, easy-to-stage ensemble pieces which are appropriate for high school students – especially for an all-female cast. So, I wrote plays. (They have since been published on Drama Notebook in the US and have been performed by schools in Australia, the UK and the US.)

I also hone this skill every time I work on one of my novels. Once I finish a conversation, I read it aloud as the characters (with voices – I can’t help myself), and tweak the phrasing, words, tone and inflections. My aim is to make it seem like a real conversation that I happened to capture in print.

Scenes

I follow a lot of authors on social media through Twitter, Facebook, blogs and websites, and I’ve been pleased to see more and more discussions about writing in scenes. Rather than focussing on chapters, the author focuses on a scene where something specific happens – just like in a play. A scene could comprise a whole chapter, or it might be part of one.

I realised recently that as a novelist I always write in scenes – again, perhaps a throw-back to writing plays. It is easier for me to approach the over-arching story in smaller, self-contained chunks. As a reader, I’ve seen a shift in writing towards this format. Likely you’ve seen this too – authors denote the end of a scene within a chapter with a double space or a physical page break that looks something like this:

***

Where I used to have to finish reading a whole chapter before putting a book down, I can now get to the end of a scene and feel like I have a natural place to pause.

A quick nod to grammar

I mentioned that I studied Literature as well as Theatre Arts and it was through my Lit classes that I began my love affair all things grammar. I have since taught English and worked as a professional editor. It means I can conduct decent and thorough editorial passes at my own writing before handing off to a(nother) pro (always get another pair of eyes on a manuscript).

And a quick nod to my contemporaries

A good writer reads. A good writer reads widely. A good writer reads voraciously.

Reading teaches you what to do and what not to do – how to evoke time, place, passion, fear, love, loss and the human condition – how to avoid over-using a word – how to structure a phrase, a sentence, a chapter, a thought – how to make your readers laugh aloud and weep onto the page – how to play with words and ignore the rules for effect.

I want to be a good writer – sorry, make that a great writer – so I read. Every day. Across genres. Indie authors, emerging authors, well established authors, and sometimes super famous authors.

 

 

 

 

 

 

Book giveaway!

Hello everyone!

To celebrate the release of my second book in the ‘Someone’ series, I Think I Met Someone, I am giving away book one, You Might Meet Someone, for FREE on Amazon (Kindle) in all regions until Wednesday July 25. Yes, free!!!

Here’s a snapshot – it’s a romcom with a travel theme: Sarah’s taking herself on holiday – not looking for love, but for herself. Join her for a heartfelt, fun and romantic romp in the Greek Islands.

Download your FREE copy before Wednesday! Links below.

You Might Meet Someone Cover Art DIGITAL

Amazon US | Amazon UK | Amazon Australia

Also available in all other geographies.