Loving a Good Love Triangle

I love a good love triangle. I love reading them and watching them, and I love writing them, especially the romcom version.

Where the non-comedic love triangle will often explore deeper, darker themes of heartbreak, loss and forever wondering ‘what if?’ – not just for the person who is left alone, but also for the person who makes the choice – the romcom version allows a ‘lighter touch’, finding the humour in the situation.

In The One That I Want, book 3 in the Ever After Agency series, I had a great time exploring the love triangle trope, especially as for some time our heroine, Greta, has yet to meet one of the love interests. He’s Greta’s first match with the matchmaking agency and it’s terrific fun (for us) when she develops an attraction to a man she’s never met, based solely on a biography and a photo. With her imagination running wild, her bestie questions whether he can live up to the version of him she’s created inside her mind.

Cover of The One That I Want
A man and a woman stand in front of a window; London in the background; both are holding takeaway coffee cups

Another aspect of love triangles I enjoyed exploring was the complexity of making the ‘right’ decision – the one that will have readers cheering our heroine on and shouting, ‘Yes!’ 

Wanting to make the right decision comes with a hefty dose of conflict, as well as to-and-froing between the two love interests. And even when Greta decides which man she wants – in true romcom fashion – the path to finding love becomes even trickier, making for an even juicier read.

For those who loved Season 2 of Bridgerton (or the book it was based on, The Viscount Who Loved Me), Anthony’s internal conflict – him wanting to make the ‘right’ decision – was a battle between duty and desire. This battle was compelling – often comedic, but also leading to some of the sexiest (but not raciest) scenes of the season.

I also enjoy when the love triangle leads to the main character’s growth and development, with both love interests bringing out something special in the main character. As readers and viewers, we see this play out in one of my favourite romcom series, Bridget Jones’s Diary.

There’s Daniel Cleaver, the sexy bad boy who awakens Bridget’s sexuality, sassiness and grit – a downturn in their relationship prompts her to quit her ho-hum job and get into television. And, of course, Mark D’Arcy is the curmudgeon, who despite all outward appearances tells Bridget he likes her ‘just the way you are’ (swoon). Bridget is transformed by her relationships by both men, gaining both confidence and self-acceptance.

And if you haven’t seen the latest movie, Mad About the Boy, there’s a whole new love triangle. It’s also BRILLIANT by the way.

In The One That I Want, Greta becomes much more self-aware about what she does – and doesn’t – want from a relationship, largely from her interactions with both love interests. 

I hope you enjoy reading Greta’s romantic escapades and I’m sure you will love who she eventually chooses. I did.

Romance Tropes Part 2: The Love Triangle

Earlier this year I wrote about the ‘Enemies to Lovers‘ trope in romcoms and today I’m tackling a trope that, for some readers, is a HUGE turn-off. How do I know that some readers vehemently dislike the love triangle trope? Because I’ve written a love triangle and have learnt* that for some readers, a love triangle equates to cheating―regardless of the circumstances.

Also, this is the most popular post defining ‘love triangle’ from the Urban Dictionary:

Love Triangle

So, let’s dig in.

Simply, as the Urban Dictionary’s indicates, a love triangle is when the main character has genuine romantic feelings for two other characters.

Where I think a good love triangle diverges from this definition is that it is possible for 2 out of 3 people to end up happy. As I write romcoms, this is critical―readers want a ‘happily ever after’ at the end of the main character’s journey.

Another key ingredient to a good love triangle is when each love interest brings out something special in the main character―that both relationships lead to that character’s growth.

One of my favourite love triangles (ever) is from Bridget Jones’s Diary (book and film series).

BJD

Daniel Cleaver is the sexy bad boy who awakens Bridget’s sexuality, sassiness and grit―a downturn in their relationship prompts her to quit her ho-hum job and get into television. And, of course, Mark D’Arcy is the curmudgeon, who despite all outward appearances tells Bridget he likes her ‘just the way you are’ (swoon). Bridget is transformed by her relationships by both men, gaining both confidence and self-acceptance.

Aside: the third book in the trilogy is extremely different from the 3rd film and (I think) vastly better.

In Sweet Home Alabama, which also explores the enemies to lovers trope, Melanie is engaged to Andrew (Patrick Dempsey) and returns home to Alabama to secure a divorce from Jake (Josh Lucas), who she married when they were just out of high school.

SHA

[SPOILER] Melanie learns that she’s her truest self when she’s with her soon to be ex-husband and, yes, she shares a kiss with him while still engaged to Andrew, but her ‘cheating’ is far from malicious. She realises that she has genuine feelings for each man and must decide what ‘happily ever after’ means to her.

The television show Younger explores a love triangle over multiple seasons (currently 6 and soon to be 7).

the-everygirl-younger-triangle-fictional-love-triangles

Liza, 40, masquerades as a 20-something to get a job in publishing and has a relationship with the much younger Josh, who knows her real age and doesn’t care about the age difference, and the age-appropriate Charles, who thinks she is 20-something and is, ironically, concerned about the age difference.

Liza oscillates between these two relationships over the multiple seasons, only rarely ‘cheating’ on one when she is officially with the other. It’s a moral dilemma for her as well as a romantic one, because she loves them both and doesn’t want to hurt either man―though, of course she does. This is a love triangle and someone always gets hurt in a love triangle.

In the 1st book of The Holiday Romance series, One Summer in Santorini, Sarah meets and falls for 2 very different men.

Each brings out something different in her. With the older James, she sees herself in a new light―that her ‘heart on her sleeve’ approach to life and the hopeful way she enjoys simple pleasures, make her immensely lovable, something she has never quite believed about herself.

With the younger Josh, she sees how ‘stuck’ she is in her own life and she learns that she has the power to transform it. She needs to stop feeling sorry for herself and participate fully in her own life.

Sarah has genuine feeling for them both and wants to figure out which man―if either―is the right man for her, and in A Sunset in Sydney [NO SPOILERS], we find out.

But along the way, she is in a relationship with both men. This is the core of the love triangle I’ve written and while some readers balk at Sarah’s ‘cheating’, it is never malicious, and being duplicitous about her two relationships makes her uneasy. It should also be said that there is no commitment to either man until the end of Sarah’s love triangle story.

Lastly, I wanted to share my fave love triangle romcom series by Lindsey Kelk, the Tess Brookes series, in which Tess’s love pendulum swings between Charlie, her longtime crush, and Nick, the brooding journalist.

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Fair warning, it does take 3 books to find out who, if either, she ends up with but it’s a fabulous ride!

‘Til next time, happy reading and if you have a fave fictitious love triangle, drop in in the comments.

*By ‘learnt’ I mean that I’ve read some ‘passionate’ reviews of my books saying just this.**

**Maybe if you hate a trope so passionately, don’t read books based on that trope. 😉