Loving a Good Love Triangle

I love a good love triangle. I love reading them and watching them, and I love writing them, especially the romcom version.

Where the non-comedic love triangle will often explore deeper, darker themes of heartbreak, loss and forever wondering ‘what if?’ – not just for the person who is left alone, but also for the person who makes the choice – the romcom version allows a ‘lighter touch’, finding the humour in the situation.

In The One That I Want, book 3 in the Ever After Agency series, I had a great time exploring the love triangle trope, especially as for some time our heroine, Greta, has yet to meet one of the love interests. He’s Greta’s first match with the matchmaking agency and it’s terrific fun (for us) when she develops an attraction to a man she’s never met, based solely on a biography and a photo. With her imagination running wild, her bestie questions whether he can live up to the version of him she’s created inside her mind.

Cover of The One That I Want
A man and a woman stand in front of a window; London in the background; both are holding takeaway coffee cups

Another aspect of love triangles I enjoyed exploring was the complexity of making the ‘right’ decision – the one that will have readers cheering our heroine on and shouting, ‘Yes!’ 

Wanting to make the right decision comes with a hefty dose of conflict, as well as to-and-froing between the two love interests. And even when Greta decides which man she wants – in true romcom fashion – the path to finding love becomes even trickier, making for an even juicier read.

For those who loved Season 2 of Bridgerton (or the book it was based on, The Viscount Who Loved Me), Anthony’s internal conflict – him wanting to make the ‘right’ decision – was a battle between duty and desire. This battle was compelling – often comedic, but also leading to some of the sexiest (but not raciest) scenes of the season.

I also enjoy when the love triangle leads to the main character’s growth and development, with both love interests bringing out something special in the main character. As readers and viewers, we see this play out in one of my favourite romcom series, Bridget Jones’s Diary.

There’s Daniel Cleaver, the sexy bad boy who awakens Bridget’s sexuality, sassiness and grit – a downturn in their relationship prompts her to quit her ho-hum job and get into television. And, of course, Mark D’Arcy is the curmudgeon, who despite all outward appearances tells Bridget he likes her ‘just the way you are’ (swoon). Bridget is transformed by her relationships by both men, gaining both confidence and self-acceptance.

And if you haven’t seen the latest movie, Mad About the Boy, there’s a whole new love triangle. It’s also BRILLIANT by the way.

In The One That I Want, Greta becomes much more self-aware about what she does – and doesn’t – want from a relationship, largely from her interactions with both love interests. 

I hope you enjoy reading Greta’s romantic escapades and I’m sure you will love who she eventually chooses. I did.

Why authors shouldn’t read reviews – and why we do

On Goodreads, all reviews 3 stars and over are considered positive. Goodreads will even tell you what percentage of readers liked your book. At the moment, 93% of people ‘like’ One Summer in Santorini.

Overview of reviews

Or, to look at it another way, 7% of people disliked or even hated my book.

One review was so scathing, I followed the breadcrumbs to the reader’s blog and she’d posted ‘Ten Reasons I Hated This Book’. Of course, I read them – all of them. Some reasons had me wondering why she’d picked up the book in the first place – she hates love triangles, for instance and the blurb mentions the love triangle. Other reasons indicated that she hadn’t actually read the book – which was confirmed at the end when she wrote ‘I skim read most of it.’

The thing was, the book didn’t engage her enough for her to actually read it – and that’s okay. Sarah, a protagonist who is very like I was at her age, is not for everyone – just like I wasn’t, just like I am not everyone’s cup of tea now. And that’s okay.

Some 3-star reviews rave about the book, which indicates that for those readers, 3 stars is high praise. Thank you, readers.

I’ve read reviews where the reader is cross about the ending (no spoilers). I’d love to reply that it is slice of life – just that moment in time – and that I’ve written two follow-ups (one a direct sequel), which will be published in 2020.

Replying to reviews is, however, a no-no.

So, why do I read reviews at all?

Simply, because the good ones feel amazing – validation that the hundreds, if not thousands, of hours I spent in isolation getting the story down and honing it, were worth it.

I’ve read reviews where the reader says how much the theme of the book – falling back in love with life – resonated with them, and that they want a bigger life, just like Sarah. That means so much to me. I also love hearing that the book is a ‘fun beach read’, because that’s one of the genres I love reading, too.

So, no, authors probably shouldn’t read reviews – or at least, we shouldn’t obsess over the ‘bad reviews’. But as long as we go into it knowing that our book will not be for everyone – that some people will find it boring, or the protagonist annoying, or the ending frustrating – then we can take the bad ones with a grain of salt. Because for some readers, our book will brighten their day.